A Quote by Hank Azaria

The craft Emmys are kind of the kids table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.
The craft Emmys are kind of the kids' table at Thanksgiving. You're not really invited to the big dance. It's still really, really exciting, and the statue still counts.
It has been my experience as a teacher over the years and incarnations that what really counts are not techniques. What really counts is spirit, love. What really counts is a sense of propriety and dedication.
Self-published media are really critical. It's so heartwarming that people are still doing it in this digital age. It's just really moving and exciting. You can't really replace a beautiful little mini-comic. It doesn't translate to the computer, you know? Handmade stuff has really given me hope for humanity.
Just knowing that people are going to the game or something with your jersey on and supporting you is really exciting and was a dream of mine. Every time I see it at Dortmund, at games, it's still exciting and gets you really excited to play.
Of course, it does depend on the people, but sometimes I'm invited places to kind of brighten up a dinner table like a musician who'll play the piano after dinner, and I know you're not really invited for yourself. You're just an ornament.
I'm an ambassador for the Make-A-Wish Foundation, and one of the children, his wish was to go to the Emmys, so he's going to be my date, along with my husband, and my dad and his girlfriend. So we're going to have a really fun night and it's going to be really exciting. I'm really excited for him to experience that.
Obviously, the good thing about golf, it's difficult to really, really blow it after five holes unless it goes really, really, really... really, really, really wrong. But you still have 13 to go, and if you have a good run, where you make five or six birdies, you can get it back somehow.
Oakland, by far, is really gorgeous; it still has these pockets that are really dangerous. Certain things are kind of normal. I think kids out there can be tested in a way where his right of passage ties into a bit of violence and how that has become these markers in masculinity and you being kind of validated after having to pass through things.
Because the job is still really exciting, and I still get nervous on the first day of shooting. But all the nonsense that surrounds it - that can be on your own terms.
I want to be like a Christy Turlington, still doing my craft and still killing it. I want longevity and to be able to do this for a really long time.
As much as I love to dance, and I still take class, aerobics and that sort of thing, and I still move very well and all of that - I'm really not a dancer anymore.
To me, the punk rock kids I grew up with were really, really smart, and to me, respecting those kids was a really big deal.
It was never my dream to be famous. I didn't start acting to be a movie star. I started in the theater and my desire was to get better at my craft. It's still my desire. I don't consider myself a movie star, nor do I really have the desire to be one. I'm just an entertainer. An actor who works hard at his craft. Whatever labels people give me, that's not really me or part of my process.
I knew the big following 'Stranger Things' had, and I really liked the show, but even if I hadn't known what the show was, I still really related to the character, and I really liked the material.
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
In L.A., you can put out a craft-service table anywhere, and it's no big deal. But in New York, people who walk by it on the street get really angry about it.
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