A Quote by Hank Green

I started to have notoriety in my late 20s or early 30s - like the first time someone recognized me in public was probably when I was 29 years old. — © Hank Green
I started to have notoriety in my late 20s or early 30s - like the first time someone recognized me in public was probably when I was 29 years old.
There was a time in my late teens and early 20s where I was motivated by this wanting to get out, to prove to the world that I had something to offer - that kind of youthful spirit, where maybe I had my eye on fame and fortune. I mellowed out in my late 20s and now that I'm in my early 30s, I'm coming to peace with it.
If anything, when you're in your late 20s, early 30s, and then mid-30s, you're getting less attractive.
A lot of high school students on TV and in Broadway are played by people in their late 20s and even early 30s. That seems weird to me.
In my late teens, early 20s, when I started stand-up and I was living downtown for the first time, I was deep into my blues and Bukowski phase. And, you know, that's when that's appropriate. And I grew out of it.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
Germany's hierarchical reverence for seniority may have something to do with the fact that everything here happens relatively late. Germans start school at six, graduate in their late 20s, and get their first proper jobs in their 30s. Adolescence can go on a long time. It is rare for anyone to achieve responsibility before their 50s.
When I was 7 years old, I announced that I was going to write a book about pollution. I didn't get around to it until I was 29, but I always recognized that pollution was a theft. That it was a way of stealing something from the public - the common earth.
Finally, in my early 30s, I started writing fiction for the first time as an adult. That felt so scary, and I spent a few years feeling miserably 'behind' my high-achieving friends. But I persevered and obviously have no regrets.
In general, I think we're more or less shaped and formed by our late 20s. Things come along during that time that make us cynical. By the time you're in your 30s, it's hard to unpick those mindsets that have formed. It takes years of therapy to undo them.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
I started playing guitar at the age of 8 or 9 years. Very early, and I was like already into pop music and was just trying to copy what I heard on the radio. And at a very early age I started experimenting with old tape recorders from my parents. I was 11 or 12 at that time and then when I was like 14 or 15 I had a punk band. I made all the classic rock musician's evolutions and then in the early nineties I bought my first sampler and that is how I got into electronic music, because I was able to produce it on my own. That was quite a relief.
I got out of grad school in 2000. I was about 26 years old. I've always said that I was late to acting because I didn't really start doing it in a focused way until I was in my early 20s.
In my late teens and early 20s, I started selling mix CDs on the street.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
I spent a lot of time flailing around, not really sure what I wanted to do, in my 20s and early 30s.
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