A Quote by Hank Stuever

I'm a fan of half-hour shows that can be both funny and dramatic. — © Hank Stuever
I'm a fan of half-hour shows that can be both funny and dramatic.
When I was doing half-hour shows, I loved it and was preparing myself for the hour shows. Then when I did the hour shows, I was preparing myself for the specials and features.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
I'll just talk and talk for an hour, an hour and half, until funny things come out of my mouth - often things that I don't think will be funny, often things that I just thought were sentences, turn out to be funny, because they're the sentences of an idiot. There's level of self-awareness that develops, and I write down things that were funny, usually when I'm on stage, and that becomes the show.
You get weird, funny requests on Twitter. With our fan club, I was seeing a lot of fans were having some issue with the way the fan club tickets were being handled in one of the shows. So I was able to correspond with that fan, and be like, 'Listen, we'll be on it.'
I never felt any pressure to be funny. A lot of the funny stuff I did was more off-the-cuff. I might be bored with an hour-and-a-half until afternoon training and itd be a chance to mess about.
I can remember times coming home from a chess club at four in the morning when I was half asleep and half dead and forcing myself to pray an hour and study an hour. You know, I was half out of my mind-stoned almost.
There are certain people I'd absolutely love to work with. I was a huge fan of 'Two and a Half Men.' The comedic timing was so perfect on that show. So maybe that show or maybe 'Modern Family.' Both of those shows have great casts.
Memento mori - remember death! These are important words. If we kept in mind that we will soon inevitably die, our lives would be completely different. If a person knows that he will die in a half hour, he certainly will not bother doing trivial, stupid, or, especially, bad things during this half hour. Perhaps you have half a century before you die-what makes this any different from a half hour?
My mother and my father are both very funny people, and they're both artistic in their own right. Oftentimes, we get very dramatic about things, but we also laugh really hard.
To a large extent: it's about economy of space. You have so little real estate when you're writing a half hour show. It's really twenty minutes. So you have to with a pilot introduce all your characters, set up the premise in a way that shows the potential for a series and make it funny and do it all in about thirty-five or forty pages. It's very hard.
Every once in a while you definitely have to film someone for half an hour saying something that you do not think is funny because for the previous two hours they said a bunch of stuff that you think is really funny.
Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.
Half-hour comedy shows are like a play, one night a week.
What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
I love that the collapse of The Other Side is being felt in both 'The Vampire Diaries' and 'The Originals' universes - as someone who is a fan of both shows, it's very fun to watch.
I wanted to do an hour-long show, and I wanted to something that was dramatic and sometimes funny and humorous, as well. I'm just delighted to have this opportunity to be a part of this project.
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