A Quote by Hank Williams

It makes me mad to hear these popular orchestras make a jammed-up comedy of a song like 'Wreck on the Highway.' It ain't a funny song. — © Hank Williams
It makes me mad to hear these popular orchestras make a jammed-up comedy of a song like 'Wreck on the Highway.' It ain't a funny song.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"
When I hear somebody like Hayes Carll write a song that's touching and poignant and sad and funny all at the same time, it motivates me to step my game up and try to figure out a way to get more different emotions into one line or one song.
Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.
I can't speak for everybody, I think, for me, I will not be defined by the lyrics of my song. I am a man who does music. It's like clothes don't make the man, the man makes the clothes. It's, it's like that song don't make me, I make the song.
You hear a song like 'Wait For It,' you hear a song like 'Dear Theodosia' - if you get one of those songs in a musical - one - it's worth dropping everything to sing that one song.
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
Like for me, it's funny that I have ended up in so many side projects because I have always looked at any song that I write as a Dawes song.
For me, I'm going to try to make my favorite song over the most popular song.
When I enter a club and hear my song being played, I feel like it's not really my song and when I see people dancing to my song, I feel like jumping up on stage and treating them to drinks.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast.
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