Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
Humans have a light side and a dark side, and it's up to us to choose which way we're going to live our lives. Even if you start out on the dark side, it doesn't mean you have to continue your journey that way. You always have time to turn it around.
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.
Classical music is far from boring - it has all the blood, energy, the sinister dark side, rhythm that rock music has, and all the refined, subtle sensuality that one can ask for
I like to deal with my dark side in a creative way, and just sing about killing people instead of actually doing it.
I've always just had sort of a dark take on life, I suppose, and hopefully, the music transcends that in a way.
Three-6 Mafia, we were always doing different kinds of things, and we like rock music, we like whatever - not saying they was rock, but they had a little rock-n-roll with some of their music, a little rock with it.
I’ll feel that horrible feeling in my stomach you get when you’ve gone over to the Dark Side. But I’ll be fine. That’s the good thing about the Dark Side. Eventually, your eyes adjust.
I think this is one of the problems that we're having in Indigenous affairs. Why we're not confronting the issues that are going to resolve it, the anger and the guilt. The anger on the Aboriginal side; the guilt on the non - Aboriginal side. We have got to deal with that, move on and start doing real work.
I've always had a fascination with vampires. It's not that I'm exactly fascinated with the dark side. It's the human struggle with it. How we deal with those two aspects of who we are. We all have those elements.
For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.
My favourite piece of music is actually 'The Dark Side Of The Moon' as a whole. For me, it's the most perfect and brilliant example of rock song writing.
I come in with this rock 'n' roll-oriented music, and it's not black enough . . . I've always had to deal with this black-white thing.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
Masculine anger is always because you are feeling constrained, trapped by life. Feminine anger is always because you are feeling unloved.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.