A Quote by Hank Williams III
There's only one Hank Williams, man. Singing that high-voiced style, them bluegrassers, I don't see how they do it - Jimmy Martin, Bill Monroe - it's just a natural thing, man.
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Bill Monroe is not singing about life in America. He's singing about life in Kentucky and Tennessee. And yet it's had this tremendous impact, not just in America but in the world. Why is Bill Monroe's hyper-regional music so universal? We can be so different and yet still share a tremendous amount.
Hank Williams, Hank Jr. and myself, if you check your history, you'll see that they've always played in rowdy environments. Part of that is a lot of people are coming to forget their problems and not being told what to do for a couple of hours and not try to have anything sold to them or pushed on them.
I see someone like John Williams, the classical player, and the amount of discipline and the natural ability that man has is so frightening. That requires so much natural talent. And I think my talent came from just practising, and I feel a bit intimidated when I see players that good.
My country stuff, it might sound like Hank Williams - that's just the way it is. But I'd rather sound like Hank Williams than Trace Atkins.
I got Jimmy Hall from Wet Willie and he also plays now with Hank Williams Jr.
I love Don Williams records. And old Ralph Stanley and Bill Monroe.
Even when I was 3 or 4 years old, I'd go out riding in the car with mom and dad, and I already knew all the songs off mom's Hank Williams and George Jones records by heart. I remember just sitting in the back seat and singing them at the top of my lungs.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
We need a new Hank Williams, a new Jimmy Webb. We need new writers, a new Tom Petty. We need people that write what they feel and what they see - things that are relevant.
I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.
Singing 'Family Tradition' with Hank Jr. was a pee-your-pants moment. Hank comes over while I'm singing and puts his arm around me, and my knees nearly buckled. You can put off the fact that this is reality, but when he came over, there was just no denying. I just lost cabin pressure.
My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
It's perversion. Don't you see what it is? It's not natural. To go to great expense for something you want, that's natural. To reach out to take it, that's human, that's natural. But to get your pleasure from not taking, from cheating yourself deliberately like my brother did today, from not getting, from not taking. Don't you see what a black thing that is for a man to do? How it is to hate yourself?
Quand on voit le style naturel, on est tout e tonne et ravi, car on s'attendait de voir un auteur, et on trouve un homme. When we see a natural style we are quite amazed and delighted, because we expected to see an author and find a man.
If Martin Luther King, Roy Wilkins or any of these compromising Negros who say exactly what the white man wants to hear is interviewed anywhere in the country you don't get anybody to offset what they say. But whenever a black man stands up and says something that white people don't like then the first thing that man does is run around to try and find somebody to say something to offset what has just been said. This is natural but it is done.
My parents listened to the Outlaws when I was a kid and I just had no interest in it. But my boyfriend at the time listened to Hank Williams III, and I thought that was really cool because he was singing about whatever he wanted to but it was very country.
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