A Quote by Hank Williams Jr.

The bottom line is, between Sonny Osborne and Earl Scruggs, I better know how to play banjo. I had the greatest teachers in the world. — © Hank Williams Jr.
The bottom line is, between Sonny Osborne and Earl Scruggs, I better know how to play banjo. I had the greatest teachers in the world.
Being from New York, I wonder why am I inspired by bluegrass and Earl Scruggs? But when I look at the whole history of the banjo, I feel really good about it, including the Earl Scruggs part.
Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
I mean if it wasn't for Earl Scruggs, guys like me wouldn't be doing what we're doing. I mean, he's changed so many people's lives, honestly. I was thinking about all the thousands of people that live in Nashville, like myself, that there's no reason a guy from New York would end up down there if it wasn't for the sound of Earl Scruggs' banjo coming over the airwaves and just changing my life.
I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.
I had some good teachers. One of the greatest teachers I've had is bluegrass music: going back and listening to Bill Monroe's music, the Stanley Brothers, Flatt & Scruggs. When I was with Ralph Stanley I learned a lot from him.
I'm interested in all kinds of art. I draw and paint and don't know how to play the banjo, but I do play the banjo.
My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
It's made a lot of people richer from hearing Earl Scruggs. And I just think we're all very lucky to have him in the world.
Earl Scruggs wears two finger picks and a thumb pick, and by alternating them, he can play about as fast as he wants. So it's this action. You know, you couldn't move one finger that fast, but all three, it's pretty easy, and it's kind of an incredible leap.
I think there are multiple studies now to demonstrate that diversity, a better balance between genders, but also between different fields as well, is actually conducive to better growth, better bottom line, better results.
I knew I had him in the first round. Almighty God was with me. I want everyone to bear witness, I am the greatest! I'm the greatest thing that ever lived. I don't have a mark on my face, and I upset Sonny Liston, and I just turned twenty-two years old. I must be the greatest. I showed the world. I talk to God everyday. I know the real God. I shook up the world, I'm the king of the world. You must listen to me. I am the greatest! I can't be beat!
Earl Scruggs is the guy who really made that leap with using three fingers in a rotating fashion to create this fast rippling sound that had never been heard before.
I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.
This site uses cookies to ensure you get the best experience. More info...
Got it!