A Quote by Hanna Rosin

The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
The genius of America's endless war machine is that, learning from the unpleasantness of the Vietnam war protests, it has rendered the costs of war largely invisible.
Milosevic will never stop, because he is fighting for personal power in Serbia. The only way to stop him is cutting the functioning of his war machine. He is spending $1.7 million a day on his war machine in Kosovo.
People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.
When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.
War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
I joined the army on my seventeenth birthday, full of the romance of war after having read a lot of World War I British poetry and having seen a lot of post-World War II films. I thought the romantic presentations of war influenced my joining and my presentation of war to my younger siblings.
Most of us who were opposed to the war, especially in the early '60's - the war we were opposed to was the war on South Vietnam which destroyed South Vietnam's rural society. The South was devastated. But now anyone who opposed this atrocity is regarded as having defended North Vietnam. And that's part of the effort to present the war as if it were a war between South Vietnam and North Vietnam with the United States helping the South. Of course it's fabrication. But it's "official truth" now.
This war in Vietnam is, I believe, a war for civilization. Certainly it is not a war of our seeking. It is a war thrust upon us and we cannot yield to tyranny.
The Philippines was with the U.S. in the Second World War, in the Korean War, in the Vietnam War, and now in the war against terrorism.
Fiddle-dee-dee. War, war, war. This war talk's spoiling all the fun at every party this spring. I get so bored I could scream. Besides, there isn't going to be any war. . . . If either of you boys says 'war' just once again, I'll go in the house and slam the door.
On the Vietnam War: I've lived under situations where every decent man declared war first and I've lived under situations where you don't declare war. We've been flexible enough to kill people without declaring war.
You don't attack the grunts of Vietnam; you blame the theory behind the war. Nobody who fought in that war was at fault. It was the war itself that was at fault. It's the same thing with psychotherapy.
You don't attack the grunts of Vietnam; you blame the theory behind the war. Nobody who fought in that war was at fault. It was the war itself that was at fault.
We understand that Nixon's aggression against Vietnam is a racist aggression, that the American war in Vietnam is a racist war, a white man's war...We deplore that you are being used as cannon fodder for U.S. imperialism. We've seen photographs of American bombs and antipersonnel weapons being dropped, wantonly, accidentally perhaps, on your heads, on the heads of your comrades.
During the Vietnam War, which lasted longer than any war we've ever been in - and which we lost - every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high.
I think that the war on drugs is domestic Vietnam. And didn't we learn from Vietnam that, at a certain point in the war, we should stop and rethink our strategy, ask ``Why are we here, what are we doing, what's succeeded, what's failed?'' And we ought to do that with the domestic Vietnam, which is the war on drugs.
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