A Quote by Hannah Brown
I get recognized everywhere I go now, which is kind of overwhelming but really exciting and sweet.
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I always find it kind of embarrassing, kind of funny, and kind of exciting. In New York I'm recognized a lot, although nobody says anything. You know, they stare at you just a second too long. But in Paris it's not as commonplace to be recognized.
I am the antithesis of what Charlotte from Sex and the City would wear, I am often wearing baggy, drab clothes for yoga and everyday, for working out. That is what I feel comfortable wearing, because I do not want to be recognized everywhere I go. It is very sweet when I am recognized but it can also slow you down when you are trying to accomplish things.
When I go home, everyone's very proud. I get recognized the most when I go back to my hometown, but it's in a really sweet way. They're just very proud and supportive.
The main joy I have in owning or being a part of my own label is the platform I've created to really push other artists and this other kind of musical muscle I get to exercise, it's not just me as a creator of music but me as a curator. That's been really exciting and I do get to have the autonomy and control and all those things with my releases, but now I get to go and find artists that I really love and like and share them with the world too.
The weirdest moments for me are in Los Angeles when I go to a mall that I've shopped at since I was 12, and now there's like, massive pictures of our faces everywhere, at my local coffee shops now there's these billboards of people wearing the T-shirts and stuff. It's very strange, but it's really exciting.
I get recognized pretty much wherever I go now which is totally alien.
I get it everywhere, 'Look at the math teacher. Look at the science teacher.' I get it everywhere I go, which I can kind of enjoy.
I've been working at this for a while now, so seeing the success of 'Sweet but Psycho' is kind of mind-blowing, but it's exciting.
I was a truant. And if you're a truant in New York City, the truant officer gets after you, and then you get into the courts, and then things happen which they really shouldn't. But I ended up in a very sweet reform school. It's the place you go to if you've got a really kind judge.
I'm not a huge social media kind of guy, so I don't really know, I don't really ever get... at least in real life, I really don't get recognized. I think people seem to find it very difficult to connect me to characters I've played.
What draws me to the type of snowboarding that I'm doing now is, I go through every emotion in life when I'm climbing these mountains. The fear. The anticipation before that. Getting to the top and the joy of standing on top, and then the adrenaline on going down, and then the kind of overwhelming emotions that I get at the bottom. That whole process is really addicting, and makes me feel alive.
I'm a Gatorade athlete because dance is being recognized as a sport now. It always should have been, but now it is. It's very exciting.
People know me because I play the monsters, but I'm most recognized from the small roles in which they see my face. None of that stuff really bothers me. Whether I'm recognized in or out of a costume isn't a kind of pressure I put myself through anymore.
I guess everywhere I go, I get inspired by those places, and then I have a bunch of Voicenotes on my phone. Everywhere I go, I think of these random melodies. It's crazy because everywhere you go, the melodies are totally different.
A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.
I've never really been anywhere, and now I get to go everywhere. I just have to make sure there's enough memory on my computer to hold all my pictures.
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