A Quote by Hannah Gadsby

The idea that standup is a thing with defined boundaries is kind of ludicrous. — © Hannah Gadsby
The idea that standup is a thing with defined boundaries is kind of ludicrous.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
This idea that somehow or another, every idea on its face, because it's an idea, has some validity is ludicrous.
If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.
If you're going to be a good standup, or a successful standup, or a standup who can work for money, you have to eliminate the possibility of dying quickly.
Standup is just dirtier, a far more risque kind of thing.
We live in a world defined by its boundaries: You cannot travel faster than the speed of light. You must and will die. You cannot escape these boundaries. But the miracle and hope of human consciousness is that we can still conceive of boundlessness.
A nation is not defined by its borders or the boundaries of its land mass Rather, a nation is defined by adverse people who have been unified by a cause and a value system and who are committed to a vision for the type of society they wish to live in and give to the future generations to come.
Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'
I'm a standup comedian who gets to act. I'm never going to not do standup. I love doing it and when I go through periods where I'm doing a lot of acting work, I still do standup.
Metal is easily my favorite thing - Exodus and Anthrax and Megadeth - so it just kind of organically came through in the standup act.
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I did standup for a lot of years, too, but when you come out as a standup, you get the feeling from a crowd - it's a kind of a 'make me laugh' attitude. But when you come out as an improvisor, they realize that they're suggesting everything you do. So they're already invested in the scene, and they actually want it to work.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
The idea that you're hard to love is ludicrous.
Comedy springs from the ludicrous; but the ludicrous is stuck in the muck of reality, resolutely hostile to what is impossible.
The main thing going on in the 20th century is a dissolving of boundaries, all the boundaries that historical civilization put in place.
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