A Quote by Hannah Murray

You can tell when people think they're a little bit special, and it's quite fun to laugh at them, and I think it's good to laugh at them, because then you can deflate their egos a bit.
Stand up is really fun because if I think of a joke or a funny idea, then I can just go and tell some people and if they laugh, they laugh right away.
I think I write funny songs that make people kind of, like, stop what they're doing and be like, 'What did you say?' And then it makes them laugh a little bit.
We have a curious relationship with 'funny' in the U.K. We love to laugh, but we also think that making people laugh is just a little bit second-tier, especially in a literary context.
I'm here for a reason and I think it's to reach out to people - whether that's to give people a little bit of confidence if they're having a terrible day, or to give them advice, or just to make them laugh.
Comedies are doing well because I think people want to laugh and not think about everything for a little bit.
I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
It sounds quite mad, but once I've got a show up and running, walking out on stage is the easiest part of my day. All I've got to do is talk until they laugh and then I stop, let them laugh and talk. It's a bit like meditation really.
I always tried not to be too mean, but my problem is that the people I tend to find hilarious don't usually have senses of humor. So interacting with them is a little bit of an awkward engagement, because I can't really make them laugh, on top of which I've been doing an impression of them.
There is no attitude required. The hat brings the attitude. And when people try on a hat they like, it is a bit of fun. It makes them laugh. You don't laugh when you put on a pair of shoes, but you do with a hat.
I think that's kind of my forte is that I tell people beforehand that I'm going to steal from them. And a lot of people think that that makes them safe, and hopefully I wake them up a little bit.
The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's
I'm a little bit twisted, so what makes me laugh the hardest doesn't necessarily make other people laugh.
I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.
I really try to have fun. If I don't have fun, you won't have fun. That's what my gift is: to relieve people from a little of the pain and comfort in their lives by allowing my comedy to distract them. A good laugh is almost as good as any doctor visit.
I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything
When you're casting, you have to do quite a bit of research. But I always think you have to do it with a pinch of salt with actors, because it's so unfair to pigeonhole them and so often they are. I try to be as open as possible and if people are really interested and really want to have a go, then let's get them in and see them.
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