A Quote by Hannah Murray
I can remember on the first day on 'Chatroom,' it was just one scene for the whole day, which was a really nice luxury to have.
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In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
The first scene I ever appeared in, it was the first scene I ever shot [during my] first day on set. I walk up to my mom with a plastic bag over my head and she says that her clothes better not be on the floor, not that a plastic bag is not a safety hazard or anything. I think it's a really cute scene and also just a very vivid memory.
On 'Chatroom,' everyone was so nice, and we had a really great time together; we were around the same age and got on really well.
You can just imagine if everyone on earth did have one day where we just put all our minds together regardless where the force is, as long as it's positive, and just meditate for even a hour that day. And just live nice with them nice meditation. I mean, now, the climate would be nice, the smog would a leave
I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.
I spent maybe a week all day every day working on the wall, my first legal wall because I was just so excited and it was nice to be able to chill and relax and work on the piece instead of doing it quickly and running from the cops or whatever. Then it just really grew from there. Other people saw it and appreciated the skill.
One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury
One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury.
In films you do a scene, you play around with it and unless you're doing a lot of reshooting, which no one has the luxury to do, you deal with the problem for a day and then you move on. On some level, it never allows you to go very deep into what performing is about.
Every relationship has at least one really good day. What I mean is, no matter how sour things go, there's always that day. That day is always in your possession. That's the day you remember. You get old and you think: well, at least I had that day. It happened once. You think all the variables might just line up again. But they don't. Not always. I once talked to a woman who said, "Yeah, that's the day we had an angel around.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
Be nice to each other. You can make a whole day a different day for everybody.
It would be so nice to have the luxury just to laze. So nice not to have to always get up and get dressed for some occasion. Always having to move from here to there, where everything is scheduled and even having lunch with my kids on their Easter break has to be slotted in. Maybe one day...
I was 12 and I remember everything. I mean, I had done two films before that. The first was actually with Amy Heckerling. It was so brilliant to work with her on my first film. Atonement was the third one I'd done, and I remember how it felt to arrive on set every day. I remember how it felt to get my wig off at the end of the day. I remember how hot it was.
The weather was turning cold and I remember that Dante was using nothing but natural light as his electric department was away, prepping the scene in the cave. We stayed on that rock for the whole day.
I remember being a kid and saying, 'One day, I'm going to have a ranch. One day, one day, one day.' And now, I'm fighting in the UFC. I'm here making the money, and that one day is here. I can finally go get those things that I want.
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