A Quote by Hannah Simone

I dated someone in the '90s who was really into Metallica, and I remember thinking at the time, 'That just sounds so heavy and hard.' But they have great ballads! Great ballads.
From all the years that I've been in the business, you know that ballads are what impact. Mid-tempos are great, you can sell some records on 'em, but when it comes down to it, ballads are the meat-and-potatoes on the album.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
I think it'd be great if Prince made an album of just romantic, slow ballads.
The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
I'm a great lover of ballads.
You know why I quit playing ballads? Cause I love playing ballads.
All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the '70s sounds nothing like the stuff from the '80s, and that sounds nothing like the stuff from the '90s. Who's to say what is and isn't a certain type of music?
Pat Benatar might need a rock band, but I can just sit with a blues guitar for an hour and a half and do folk songs and great contemporary ballads, and not many people can pull that off.
My sound definitely pays a lot of homage to the Nineties, but not just the dance music. There's also breakbeats, R&B, the big ballads. It's that whole era infused with very modern sounds.
I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.
I've been a fan of Metallica and friends with those guys for a long time and that was just great - half Alice In Chains and half Metallica playing together.
I do appreciate the '80s as an era, the general sounds and aesthetics of the era. The Cure, that whole kind of image is really kind of amazing, I think. The power ballads and how everything sparkles and words are really dramatic. Huge drums, things like that. I do really find it inspiring.
I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.
Most of us remember Nat King Cole as a vocalist. His warm, grainy baritone is still so closely identified with such familiar ballads as 'Stardust' and 'The Christmas Song' that it's hard to imagine anyone else performing them.
At 16, I started really loving country music, and Collin Raye just had the most amazing ballads!
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