A Quote by Hannah Simone

That is the most liberating thing to feel as an actor: that you don't have to hold back or be afraid. A bit might not work, but it doesn't matter. — © Hannah Simone
That is the most liberating thing to feel as an actor: that you don't have to hold back or be afraid. A bit might not work, but it doesn't matter.
The weird thing is that, with actors, filmmakers and directors, it doesn't really matter if it's Robert Downey Jr., who's one of the biggest stars in the world, when you start to work, he's a hardworking actor. At the end of the day, it doesn't matter who's a big star and who's an unknown actor from wherever. It's all about the work you do.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
Don't hold back from being an 'empath.' Don't be afraid of shedding your tears. Feel it. Feel the full extent of everything. It gives us strength.
I think I always wanted to be an actor - sounds a bit boring, doesn't it? And I pretended once that I wanted to be a vet because one of the teachers asked me and saying you want to be an actor sounds a little bit silly. And I do still feel a bit silly saying it. You feel a bit fraudulent.
My whole life, I've wanted to feel comfortable in my skin. It's the most liberating thing in the world.
Acting is so difficult for me that, unless the work is of a certain stature in my mind, unless I reach the expectations I have of myself, I'm unhappy. Then it's a miserable existence. I'm putting a piece of myself out there. If it doesn't do anything, I feel so ashamed. I'm afraid I'll be the kind of actor who thought he would make a difference and didn't. Right now, though, I feel like I made a little bit of difference.
Once you accept that we're all imperfect, it's the most liberating thing in the world. Then you can go around making mistakes and saying the wrong thing and tripping over on the street and all that and not feel worried.
Once you accept that we're all imperfect it's the most liberating thing in the world. Then you can go around making mistakes and saying the wrong thing and tripping over on the street and all that and not feel worried.
I feel that's a good thing as an actor that you do not feel satisfied. Whenever I go back and watch myself on screen, I find multiple reasons to redo that scene. That's an occupational hazard that most actors face. You can never come to terms with it.
I have learned to take the part of me that is very fearful and work on that. There is space for that in my life. I have learned to give myself a bit more freedom between 'action' and 'cut.' I come by all that fear honestly, like most humans have. I can't bring it with me to work, so in that way, the work feels quite liberating.
Unlike my mother, who was unashamedly delighted when I decided to become an actor, I always feel that my father, had he lived longer, might have been a touch disapproving of some of my career - I think he might have tutted a bit at 'Men Behaving Badly.'
When feeling came back, in a storm of color and force and sensation, the most you could do was hold on to the person beside you and hope you could weather it. Alex closed her eyes and expected the worst-but it wasn't a bad thing; it was just a different thing. A messier one, more complicated one. She hesitated, and then she kissed Patrick back, willing to concede that you might have to lose control before you could find what you'd been missing.
The actor has to develop his body. The actor has to work on his voice. But the most important thing the actor has to work on is his mind.
I think the most liberating thing I did early on was to free myself from any concern with my looks as they pertained to my work.
Scoring a goal feels a bit like a liberating act. It is a mix of sensations that only strikers can feel in their own guts. We work for that, to score. It is like a commitment, an obligation we take with ourselves.
I'm not afraid to live. I'm not afraid to fail. I'm not afraid to succeed. I'm not afraid to fall in love. I'm not afraid to be alone. I'm just afraid I might have to stop talking about myself for five minutes.
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