A Quote by Hannah Waddingham

It was a complete no-brainer. Literally, the call came through: Andrew Lloyd Webber wanting to offer you, with no audition, The Wicked Witch of the West at the London Palladium - I'm in!
I had lunch with Andrew Lloyd Webber at the end of 2011 because my musical 'Matilda' is in one of the theatres that he owns in London.
The first time I did Cake Boss or Ice-T or Andrew Lloyd Webber was on 'Best Week Ever.'
I do quite like that Andrew Lloyd Webber song from 'Cats.' What's it called? 'Memory?' Sends shivers up your spine.
People always did like to talk, didn't they? That's why I call myself a witch now: the Wicked Witch of the West, if you want the full glory of it. As long as people are going to call you a lunatic anyway, why not get the benefit of it? It liberates you from convention.
Life is like a musical by Andrew Lloyd Webber. Very popular and not as bad as some would have you believe. That is, unspeakably awful but mercifully brief.
Andrew Lloyd Webber is one of those odd moth-like creatures who seem to combine extreme discomfort with the spotlight with an unstoppable compulsion to leap into it.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
I like musicals a lot. I think probably 'Jesus Christ Superstar' is my favorite. I love Andrew Lloyd Webber for the most part. It's rare that I'll find a musical that I don't like.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music?... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
The character we've always thought of as the Wicked Witch of the West is a green girl who's actually very good, misunderstood, and trying to make her way in the world. She's an outsider looking in, wanting to be loved. That's a universal experience that everyone's felt at some point in their lives.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
When I began 'Wicked', I really thought of it entirely as a one-off, as the English say. There was no intention that there should ever be a follow up, because the subtitle was 'The Life and Times of the Wicked Witch of the West'. She was dead and gone, as the book says, at the end.
The Wicked Witch of the West really scared me as a child.
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