A Quote by Hannah Whitall Smith

Somehow even tragedies seem less tragical, when you are the actors in them, than they look to outsiders — © Hannah Whitall Smith
Somehow even tragedies seem less tragical, when you are the actors in them, than they look to outsiders
Somehow, even though you have less time and less money, the thing about making indie films is somehow you have another kind of resource: a human resource, where you can really look to your creative colleagues and actually ask questions that are honest.
Writers are outsiders. Even when we seem like insiders, we're outsiders. We have to be. Our noses pressed to the glass, we notice everything. We mull and interpret. We store away clues, details that may be useful to us later.
To appear to be on the inside and know more than others about what is going on is a great temptation for most people. It is a rare person who is willing to seem to know less than he does ... Somehow, people seem to feel that it is belittling to their importance not to know more than other people.
I consider those actors who amaze me are somehow less attractive to me than those actors who move me.
Before, Indian people had been so defeated, they were always looking for outsiders, for the government, to somehow come in and fix things. But now, they seem to realize that they're the only ones who can save themselves.
The thing about Canadian women is that they seem less likely to bring up that they're Canadian. You here less about Canadian actresses than actors, I don't know why.
As a director/writer/producer, all you ever want is to work with actors who make you look better, who make the work you do seem as good as it can be and even better than it is.
I pick out young people and teach them in less time than it would take me to alter the methods of people from the boards, and I get actors who look the parts they have to fill.
Now I had seen the grief of the two strongest people I knew. And somehow, Daddy's and Edie's crying made them seem even stronger to me. It was better to cry than to suck it up and go around conjuring hate in your heart
I look up to actors. I look up to Robert DeNiro, I look up to Johnny Depp, I look up to Al Pacino, I look up to run-of-the-mill really good actors. I love watching movies, and I love watching other actors and learning from them.
A lot of actors seem to dislike typecasting these days. The funny thing is, that's a fairly recent development. It used to be that actors wanted to be typecast so audiences could remember them and identify with them.
Human life is basically a comedy. Even its tragedies often seem comic to the spectator, and not infrequently they actually have comic touches to the victim. Happiness probably consists largely in the capacity to detect and relish them. A man who can laugh, if only at himself, is never really miserable.
Maybe actors are more passionate about cinema than actresses. Many heroines today seem unable to look beyond glamour.
Religion! Is what you hear at church religion? Is that which can bend and turn, and descend and ascend, to fit every crooked phase of selfish, worldly society, religion? Is that religion which is less scrupulous, less generous, less just, less considerate for man, than even my own ungodly, worldly, blinded nature? No! When I look for religion, I must look for something above me, and not something beneath.
You get those couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
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