A Quote by Hannibal Buress
Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.
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You have to come to your closed doors before you get to your open doors... What if you knew you had to go through 32 closed doors before you got to your open door? Well, then you'd come to closed door number eight and you'd think, 'Great, I got another one out of the way'... Keep moving forward.
No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.
Let him treat you like a lady and open the car door for you. If he doesn't automatically open the door for you, stand by the darn thing and don't get into the vehicle until he realises he needs to get hid behind out of the driver's seat and come round and open the car door for you. That's his job!
Twenty-eight to 31 is the tough period. You have to be really careful because it's so cataclysmic, so life-altering. People do really dramatic things like get married, or they'll get divorced. Your chances of committing suicide go way up. It's basically psychic death. You see the signs of it around 27, and you're still on the out-end of it around 31. Everyone I've talked to who's gone through that and come out the other side walks out of it like, "MY LIFE IS GREAT".
If my primary purpose here at Indiana is to go out and win ballgames, I can probably do that as well as anybody can. I would just cheat, get some money from a lot of people around Indianapolis who want to run the operation that way, and just go out and get the best basketball players I can. Then we'd beat everybody.
Some of the best navigators in the world are London taxi cab drivers. They have to learn 25,000 streets and how to get from one to the other.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.
You may not realize initially how many other opportunities are wrapped up inside the first one. After you go through the first door, you'll then discover more doors automatically opening behind that one. One door leads you to another door, which leads to another door, and so one. It's like ten other boxes packed inside one box. The initial door that God opens is your access to more opportunities. But you must be willing to walk through the first one to get to the other good things God has for you.
I always thought that feminine, softer side was just too vulnerable to put out there, because then it's like you're opening up a door for everybody to come in, and you don't know who's going to come in that door.
When somebody doesn't use common sense, I get frustrated. When I'm driving down the highway and someone is in the left-hand lane, and they're going very slow, sometimes I just go around them, and other times I'll be in the mood where I flash my lights and yell at them, like, 'What the heck are you doing? Get the heck out of my way!'
Here's how you know that you're really drunk: when you get into a taxi cab and you think the fare is the time.
A lot of actresses start out modeling because it's a great way to sort of get your foot in the door. That's all it is, though. They open the door, and you have to walk through it.
I dance for freedom. I dance for people's reaction more than anything. I feel great and I feel like I can do anything, say anything while I'm dancing and nobody can care. I do have times when I'm angry and I literally do slam my bedroom door and dance all around my bedroom. It's a good way of getting energy out and it's a good way of doing things, but I do it purely just to entertain other people.
Sometimes when I'm going to the supermarket to get the coffee and cat litter, I get freaked out and see all these people staring, and you turn around and there's, like, 40 people all looking at you... and when you go around the corner, they're all following you! You start freaking out like a trapped animal.
Is that your final answer? Here in New York garbage men, bus drivers, taxi cab drivers, bus drivers, whoever, you know, people just yell it out to me. So that was a lot of fun.
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