We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that.
When I - when I was going to school, I knew how to read, write, add and subtract and I - I basically said, 'What else do I need? I'm never going to be able to go to college. I'm not going to be able to afford to go to college. I'm not going to be able to get a scholarship.'
Something that I learned from 'Friday Night Lights,' sometimes if you have four or five scenes in an episode, it's not having less than having 10. It's what you do with those scenes.
The cinema industry is competing against everything else people can do on a Friday or Saturday night. If they don't have a good time, you're going to lose them to something else. So much of what we do is trying to make the Alamo experience special.
When you use force, people get hurt, and when you kill people, their relatives don't like it. And usually war has some unanticipated consequences so it's something you shouldn't launch into, on the expectation that this is going to rally the nation. This is not like 'Friday Night Lights'.
For myself, anyway, I think that recurring has been such a gift, because I've been able to work on a lot of shows that I've really had a lot of respect for before I went in, shows like 'Friday Night Lights' and 'Nip/Tuck,' for example.
I am a late discoverer of 'Friday Night Lights.' I cry every episode at least once. I love to cry - happy, emotional tears. I just love it.
I look at 'Friday Night Lights' as one of my all-time favorite series finales, and that is what you want. After all the roads you've traveled with these people, you just want to know that they're going to be happy. I'm a big believer in shows that make that choice.
When you write a program, think of it primarily as a work of literature. You're trying to write something that human beings are going to read. Don't think of it primarily as something a computer is going to follow. The more effective you are at making your program readable, the more effective it's going to be: You'll understand it today, you'll understand it next week, and your successors who are going to maintain and modify it will understand it.
The frustrating thing about 'Friday Night Lights' is I know a lot more people would respond to the show if they saw it.
The frustrating thing about Friday Night Lights is I know a lot more people would respond to the show if they saw it.
The fans [of Vampire diaries] that we have now are the people who will watch it any day of the week. So, my first instinct was a little bit of an ego tap, but the second I processed it, I was fine. The only weird thing will be maybe not having as many people live tweeting because they're actually out doing something more interesting on Friday night. I'm not going to sit at home, reading Twitter on Friday night.
I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.
There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
In terms of American Horror Story and Nashville, what attracted me to those, and Friday Night Lights, for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.