A Quote by Hannibal Buress
I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines. I'd kill it.
Related Quotes
I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
There are definitely things about acting that have helped me growing up and finding myself, but there are also things that make it a bit more difficult. I guess I do allow myself to explore more when I know that, at the end of the day, if I really wanted to, I could just play a different person all day and be fine with that.
I don't even know if acting's something I want to do the rest of my life. There's a lot of other things I'm interested in, too. But as long as there are good roles out there and I'm enjoying myself, I wouldn't mind being some little octogenarian and continuing on the fight. But that's not really where I place my happiness, so acting to me is always a bonus. Acting is definitely a very pleasant bonus in my life, and I've enjoyed it completely.
When I got to high school and college, I was more involved in athletics then I was in acting. At that time, I was trying to figure out what my identity was and roles became more gendered, it was a little bit more challenging for me to stay with the acting.
The best way to take a punch is to look at it. Honestly. Someone could hit you with the hardest punch that they have, but as long as you see it, it's not going to knock you out. It's the punches that you don't see that knock you out. So you could get tapped with a small punch, but if you don't see it, you're out.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
Laurence [Fishburn] helped redo some of the dialogue [in John Wick 2], he and Keanu [Reeves] workshopped it. And he couldn't have been more respectful couldn't have been more brilliant on set. I said, "look, I'm gonna have to work you a little bit here cause I only get you for three days." He never left set, was always engaging, always working on his lines, it was awesome.
Perhaps we could push beyond these legalistic gender roles if we spent less time worrying about “acting like men” and “acting like women,” and more time acting like Jesus.
Genre expectations can kill creativity. If you do something different, it will get hated. The best filmmakers can do everything on the approval list and knock it out of the park. For me, I have a hard time being creative when I have to color in between the lines.
I'm definitely shy, so it was definitely acting for me to drop a trench coat and be in a bikini and try to get my cousins out of trouble by using my body. That was definitely acting.
Everyone had coverage. You might have like three lines, but there were 10 people, so they would cover each person. Three lines could take 12 or 15 hours, but it was fun because everybody was together. As hard as it was to shoot those scenes, I always enjoyed when we were all together.
I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
Ray would be in trouble, he would get drunk, he would try and kill J.R on three different occasions, he would make mistakes with financial affairs, and have various human problems, but he didn't have any mean bones in his body! That was a little bit of what the show was about.
If given that ability, I would definitely be a long-haired, beard person. Ever since third grade, your whole life, there's always someone who's like, 'You better get a haircut.' It's no different in acting, especially when you don't know what role you're going to do next: a doctor, lawyer, a military guy, or whatever.
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