A Quote by Hannibal Buress

Actors, you have to wait for people to give you work, or you have to make your own stuff. But standup, I could just say, 'I want to do standup in 30 minutes,' and I can go do standup. Or I could just say, 'I want to do standup in a few weeks in this city.'
If you're going to be a good standup, or a successful standup, or a standup who can work for money, you have to eliminate the possibility of dying quickly.
I'm a standup comedian who gets to act. I'm never going to not do standup. I love doing it and when I go through periods where I'm doing a lot of acting work, I still do standup.
If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.
Standup led me to acting because I liked standup, and I saw people on a stage, and the closest, nearest thing to me was doing plays. It was like, that's the same thing as standup - people are on a stage; they're being seen and saying things - so, because of my love of standup, I moved towards acting.
If you like standup and decide that it's overtaking your life and want to hate it, watch 1,000 standup comedians who are trying to get on a TV show.
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways, not just sketch, not just standup, not just characters, all of those things.
I never decided I wanted to be an actor. I just started doing standup because I love standup. Everything else has sort of been these tiny steps leading to this.
I did standup for a lot of years, too, but when you come out as a standup, you get the feeling from a crowd - it's a kind of a 'make me laugh' attitude. But when you come out as an improvisor, they realize that they're suggesting everything you do. So they're already invested in the scene, and they actually want it to work.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
I enjoy doing standup, but when I'm 50, I don't know if I'll still enjoy doing standup. It might be one of those things where I find other palettes that I want to paint on and make comedic.
People say I'm good at standup. I don't even think I'm that great at standup. I just hit hard. I don't think I'm super technical or anything like that. I got a couple knockouts. I think I just hit hard more than anything.
As far as standup, everybody has a vehicle they are driving. If what you do works, it's like playing golf. If you can master that one swing over and over again, you will be successful. That's what standup is. You have to have a central move and it has to be yours. You have to own your comedy, own what you do.
I continue to do standup because there's a connection with a live audience - there are skills that you do learn as a standup comedian that help you on a set.
Podcasts feature comedians being as funny as they can be in a non-censored situation. It's really akin to standup in a way. When you go see a comedian in standup, that is the most pure, unadulterated form of their art.
I got into standup because I wanted to be an actor, and then I ended up loving standup for the next eleven years.
I'm really good at standup. I always win at standup.
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