A Quote by Hannibal Buress

'SNL' doesn't have a traditional writer's room. On Monday, there's the pitch meeting with the guest, and I played that like it was stand-up. — © Hannibal Buress
'SNL' doesn't have a traditional writer's room. On Monday, there's the pitch meeting with the guest, and I played that like it was stand-up.
I guest-starred on 'Alf.' I played a stand-up comic Howie Anderson.
I didn't audition for 'SNL.' I sent in a tape to 'SNL' the year before I started writing there, but I got the job there through doing stand-up on Fallon.
if you live in New York and you have a guest room, you have guests. So I think it's best not to have a guest room.
If you're in the writer's room, in any writer's room in the world, before you pitch a joke or suggest an idea, you first think it's funny and decide to say it out loud. The next step is for the people around you to accept it or reject it, before it ever sees the light of day, on film or in front of an audience.
Most days, we don't get to the 'SNL' studio until noon. On Monday, we pitch the host, and that's our shortest, lightest day. Tuesday is our longest day - some people don't leave until Wednesday night. It's just a long, long day.
I have heard stories that it was love at first sight for both of us, that we disappeared to a guest room at Merle's house, had our meals sent up, and didn't emerge for several days. This is absolutely untrue. I would never behave like that as a guest in someone's home. Carlos and I went to my beach house.
I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to 'SNL' and falling in love with some writer on 'SNL,' of getting married and living in New York.
One of my oldest friends from Kansas, his sister was married to Ben [Folds] and wrote lyrics on his first couple of albums. I got to meet him the first time I saw them in concert at The Bottleneck, a great bar in Lawrence, Kansas. Then, he was the musical guest my first or second week as a writer on SNL. I was like, "I don't know if you remember me?" And he was like, "Oh my god, yeah!" He's a big photography fan, as am I.
Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be in a writer's room until 2 or 3 a.m.
Well, basically, when you get SNL, everyone wants to take a meeting, just in case you end up being good.
Some can just knock it out and some have to lock themselves in a room and get to a fever pitch of self-loathing before they turn in a first draft. . . . each writer's process is screwed up in its own way.
I played a lot of games at a young age and I feel like I'm an older player in the side now. I communicate a lot more on the pitch and in the training room now.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
The FA Cup final is such a fantastic final to play in. I played in the 1999 one at Wembley, and after having watched so many finals as a kid, to be able to make that long walk up from the dressing room to the pitch was fantastic.
No guest rooms.” I shake my head resolutely. “I want to be in a room room. A lived-in room.
I'm pretty self-critical about everything I've ever done: stand-up, 'SNL.'
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