A Quote by Hans Haacke
If you look at the size of the art world in terms of the money that is being transacted compared to other parts of the 'consciousness industry,' it is minuscule. But if you look at what happens in this small sector, how it rubs off on the rest of it, it is astonishing.
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There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
There is a small world of people who are very interested in contemporary art and a slightly bigger world of people who look at contemporary art. But then there is a much larger world that doesn't realise how influential art is on things that they actually look at.
If you go to India the roads are being built almost entirely with private sector money and by the private sector. If you look at many, many countries in Europe that's how they're doing it.
I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
Look at how many times we've improved on the Game Boy Advance in terms of the look, the feel, screen changes, and everything else. We believe that type of constant innovation is critical to driving this industry, and certainly if you look at the world wide sales of Game Boy Advance, I don't think anyone would disagree.
I go into it with the attitude that I'm not going to look at my leg, and as soon as they get the wrapping off of it, I'm like, 'I've got to look.' It's like yelling at a dog going, 'Squirrel!' I cannot not look. And then I spend the rest of the time sitting there with a wet washcloth on my forehead trying to regain consciousness.
I think it's the actor's job - when you think of being typecast or getting out of the shadow of whatever you've had success in - it's up to you as an actor. The industry will always want to hire you for what you were successful in last and what made money. But you can say no to that and look for other parts.
It isn't easy for me to have contact with the industry, because it is so outdated. Look at General Motors, look at -Mercedes, look at Chrysler, look at Porsche, look at BMW . . . They are all building cars from yesterday! Nobody has an idea how the car of tomorrow should look. I've built them already. I have the prototypes in my exhibition, but they won't do it.
I'm very fond of an old map of London that used to belong to my father. I'm a big London fan, and the evolution of the city is astonishing, when you look back to Pepys and how small it was - everyone knew each other.
How vast those Orbs must be, and how inconsiderable this Earth, the Theatre upon which all our mighty Designs, all our Navigations, and all our Wars are transacted, is when compared to them. A very fit consideration, and matter of Reflection, for those Kings and Princes who sacrifice the Lives of so many People, only to flatter their Ambition in being Masters of some pitiful corner of this small Spot.
Look. This is your world! You can't not look. There is no other world. This is your world; it is your feast. You inherited this; you inherited these eyeballs; you inherited this world of color. Look at the greatness of the whole thing. Look! Don't hesitate - look! Open your eyes. Don't blink, and look, look - look further.
I'm interested in looking for solutions because it's become the case that in fashion you're either a villain or a victim. Look at the industry's very limited remit in terms of body size, for example.
The message behind every brand that's plus size is about making a woman feel confident in any shape or size. Now straight size, it's all about the signature brand and how to look good in that one brand, and not necessarily how to look good for yourself.
My deal is to understand: you trust me, I trust you. It's a two-way street. Developing that happens over time. It's hard. I look forward to that. I look forward to being a part of these guys' lives. This isn't just about ball. This is about creating a brand for yourself. This is about setting you apart for the rest of your life. That's kind of been how I do it. I look forward to being involved in these guys' lives. Part of that is winning some ballgames. I've got a blueprint on how that works, yet every place is different, so you need to adjust the blueprint based on what's there.
The whole consideration of - ... am I being compared as such and such's grandson and son - that was minuscule compared to the problems I was having just working... I didn't have time to start worrying about who I was in the eyes of the public.
Most of the brands that have used me don't say I'm "plus-size" - and there are other plus-size girls doing really well. But there is still a gap in "normal size" girls being represented. There are so many size 8 girls in shape; they look hot, but there is a lack of diversity for them. At the moment there's an extreme on both size sides. But it's changing, and that can only be seen as positive.
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