A Quote by Hans Haacke
What I'm very upset about is the attempt to dictate to museums what they show, and the statements made by politicians in Washington that have curtailed the freedom of the National Endowment for the Arts. The attention to those issues is deflected by the spin of my supposedly having trivialized the Holocaust.
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Why is it, that there's no movies, very little very little attention about the greatest Holocaust in the history of the world which was the Holocaust against Christians by the Soviet communism.And that's my point. We have a controlled media today that talks about the Holocaust, but they don't talk about the death and destruction of tens of millions of Christians...Which was a bigger Holocaust.
That's the reason support for the National Endowment of the Arts is so important. It enables those ventures that aren't viable commercially to be done.
We need to cut these things that aren't constitutionally mandated, that are kind of on the periphery, the fluffery, like NPR and National Endowment for the Arts. Those are obvious.
With 'Poison,' I'm sure some people just hated the movie, but it also got caught up into a debate about arts funding because it was a film that received a National Endowment for the Arts Public Grant, and it won the prize at the Sundance Film Festival.
I was a little press writer when the National Endowment for the Arts came to my rescue and gave me an award. I couldn't buy a light bulb. Almost more than the money, the awards are important because they show that someone believes in you.
As a black person in this country, I am always frustrated by the lack of attention my people's issues get. But at least the news and politicians are talking about not talking about our issues. Native issues are basically ignored.
People are very upset with Washington. They're upset with Democrats. They're upset with Republicans. They're upset with the establishment.
Fortune ought to be a National Endowment for the Arts Jazz Master.
Back from 2001 to 2003, I wrote multiple editorials for The Washington Post about biological warfare and pandemic preparedness - issues that were at the top of everyone's agenda in the wake of 9/11 and the brief anthrax scare. At the time, some very big investments were made into precisely those issues, especially into scientific research.
What a thrill it is to have my writing recognized by an institution as admirable and vital as the National Endowment for the Arts.
Obviously I don't agree with everything he [Donald Trump] says. There's a lot that we have a difference of opinion on. But we can't ignore that he's touched on some issues that people are concerned about. If you look at the statements he made this week, obviously I think he made them partially to recapture the limelight after having lost it.
This funding from the National Endowment for the Arts has been like the Good Housekeeping seal of approval.
When you start talking about same-sex marriage, you start talking about abortion, and I think those issues are very very important and very interesting and very right for us to talk about, but when we allow those issues to cannibalize all other issues we find ourselves homeless while we debate about it.
Mr. Chairman, obviously a $60 million cut in the National Endowment for the Arts would be a disaster.
The National Endowment for the Arts distributes money to all 50 states, and they try to do their best to distribute to rural and suburban areas. It's one of the great things about the program. It raises the awareness of culture throughout the population.
Work done illegally outdoors or without permission feels like pure freedom to me. I understand how it can upset many in our society, but in the bigger picture, it is ultimately about freedom. We are living in a time where public space has become a commodity for corporations to control and dictate what is seen and heard.
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