A Quote by Hans Hofmann
Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull . Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).
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For a Man cannot believe a Miracle without relying upon Sense, nor Transubstantiation without renouncing it. So that never were any two things so ill coupled together as the Doctrine of Christianity and that of Transubstantiation, because they draw several ways, and are ready to strangle one another: For the main Evidence of the Christian Doctrine, which is Miracles, is resolved into the certainty of Sense, but this Evidence is clear and point blank against Transubstantiation.
I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.
A painting is nothing more than light reflected from the surface of a pigment-covered canvas. But a great painter can make you see the depth, make you feel the underlying emotion, make you sense the larger world. That, too, is the power of science: to sense and convey the depth and dimensionality of nature, to glance at the surface and to divine the shape of the universe around us.
In one sense 'there are' both universals and material objects, in another sense there is no such thing as either: statements about each can usually be analysed, but not always, nor always without remainder.
The Republicans, in the various arguments, repeat exactly the same phrases one after another, with no sense of embarrassment, no sense of shame, no sense of intellectual integrity.
I am transcribing a book that I have, in a sense, not yet written, and in another sense, have always written, and in another sense, am currently writing, and in another sense, am always writing, and in another sense, will never write.
Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.
The function of ritual, as I understand it, is to give form to human life, not in the way of a mere surface arrangement, but in depth.
To be sure, the doctrine of a personal God interfering with natural events could never be refuted, in the real sense, by science, for this doctrine can always take refuge in those domains in which scientific knowledge has not yet been able to set foot.
Nor are we the culmination of evolution, except in the sense that there has never been another species so bizarrely ingenious that it could create both iambic pentameter and plutonium.
The great city can teach something that no university by itself can altogether impart: a vivid sense of the largeness of human brotherhood, a vivid sense of man's increasing obligation to man; a vivid sense of our absolute dependence on one another.
We affirm depth as the only pictorial and plastic form of space.
Think on this doctrine, - that reasoning beings were created for one another's sake; that to be patient is a branch of justice, and that men sin without intending it.
If you get caught at some crucial point and somebody tells you that your doctrine doesn't make sense - you're ready for him. You tell him there's something above sense. That here he must not try to think, he must feel. He must believe. Suspend reason and you can play it deuces wild.
To go too much another way, for the sake of my ego in wanting to create something... in the situation of Superman is just wrong. Especially since we're continuing, in a sense, that story. The characters have to feel somewhat similar. What are you going to do with Superman? The world, and all the people that have created it, created him and have all kind of come together to make this image. Everybody kind of has the same idea of what it should be. So for me to go, "Okay, no, I think he should have a southern accent." Or something crazy, just doesn't make any sense.
I have a visual sense for the music. It has to stay true to a certain sense of period. I rely on a sense of colors and mood in my approach to the arrangement.
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