A Quote by Hans Hofmann
A work of art is finished, from the point of view of the artist, when feeling and perception have resulted in a spiritual synthesis.
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Tolstoy's definition of art is the inverse of the truth; the task of art is to transform not perception into feeling, but feeling into perception.
Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out. The cause of production of real art is the artist's inner need to express a feeling that has accumulated...The cause of counterfeit art, as of prostitution, is gain. The consequence of true art is the introduction of a new feeling into the intercourse of life... The consequences of counterfeit art are the perversion of man, pleasure which never satisfies, and the weakening of man's spiritual strength.
There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
I will say that a lot of art, some of the best art, has very powerful and meaningful messages behind it, and the more you read the stuff on the walls, the more you learn the artist's intention, and you have a totally new point of view of what it's about.
A novelist can shift view-point if it comes off. ... Indeed, this power to expand and contract perception (of which the shifting view-point is a symptom), this right to intermittent knowledge - I find one of the great advantages of the novel-form ... this intermittence lends in the long run variety and colour to the experiences we receive.
What is art?... From a strictly logical point of view, a question with no clear answer comes under the suspicion of being meaningless. But a strictly logical point of view never shows us much about art.
From an artist's point of view, I always want to work with the writers I admire.
I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
An artist's work is a synthesis of much more than the work of other creators.
Art is not a pleasure, a solace, or an amusement; art is a great matter. Art is an organ of human life, transmitting man's reasonable perception into feeling.
Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.
I think from an artist's point of view, everything in art, in fact everything in the world is available as material.
Stop thinking about writing as art. Think of it as work. If you’re an artist, whatever you do is going to be art. If you’re not an artist, at least you can do a good day’s work.
The artist himself is often surprised at the finished work of art. He cannot tell 'how it happened', nor could he repeat the feat at someone's bidding.
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