A Quote by Hans Hofmann

And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality . — © Hans Hofmann
And so artistic creation is the metamorphosis of the external physical aspects of a thing into a self-sustaining spiritual reality .
For me, living a balanced life means nurturing the academic, physical, and spiritual aspects of my life so I can maintain a sense of well-being and self-esteem.
The belief in an external world independent of the perceiving subject is the basis of all natural science. Since, however, sense perception only gives information of this external world or of "physical reality" indirectly, we can only grasp the latter by speculative means. It follows from this that our notions of physical reality can never be final. We must always be ready to change these notions - that is to say, the axiomatic basis of physics - in order to do justice to perceived facts in the most perfect way.
Running is the classical road to self-consciousn ess, self-awareness and self-reliance. Independence is the outstanding characteristic of a runner. He learns the harsh reality of his physical and spiritual limitations when he runs. He learns that personal commitment, sacrifice and determination are his only means to betterment. Runners get promoted only through self-conquest.
Linguistic sounds, considered as external, physical phenomena have two aspects, the motor and the acoustic.
Business is a creative and therefore spiritual endeavor. Great entrepreneurs enter the field of business in the same way great artists enter the field of art. With their business creation, entrepreneurs express their spiritual desire for self-realization, evolutionary passion for self- fulfillment, and creative vision of a new world. The entrepreneur's business is their artwork. The creation of business is as creative as any creation in art. In fact, building a business may be the most creative human activity.
The vision of the human being is confined today to the physical body. One regards this as a reality; one cannot raise oneself to what is spiritual. The souls who now look upon their own physical bodies with their eyes, and are unable to rise to what is spiritual, were incarnated among earlier peoples as Greeks, as Romans, and as ancient Egyptians.
The purpose of art is to represent the meaning of things. This represents the true reality, not external aspects.
That’s what the human brain is there for—to turn the chaos of given experience into a set of manageable symbols. Sometimes the symbols correspond fairly closely to some of the aspects of the external reality behind our experience; then you have science and common sense. Sometimes, on the contrary, the symbols have almost no connection with external reality; then you have paranoia and delirium. More often there’s a mixture, part realistic and part fantastic; that’s religion.
Production is not something physical, material, and external; it is a spiritual and intellectual phenomenon.
The power of equations lies in the philosophically difficult correspondence between mathematics, a collective creation of human minds, and an external physical reality. Equations model deep patterns in the outside world. By learning to value equations, and to read the stories they tell, we can uncover vital features of the world around us.
Our external physical reality is a mathematical structure.
I realized I had to work on all aspects of my recovery, the spiritual, mental and physical.
It is alone that part of the external universe which we call material which acts on man through his senses - that part of which we ordinarily feel our knowledge to be the surest; but in reality, strangely enough, as will soon appear, this is one of the aspects of the external world, of which we can know nothing.
God created us in such a way that our inner self is in the spiritual world and our outer self is in the physical world. This was so that the spiritual part of us, which belongs in heaven, could be planted in the physical part the way a seed is planted in the ground.
That is an incredible period I think when you have a near-death experience. You are really understanding that there is a greater self than the physical body, and the cosmic anatomy as I call it is suspended and physical, is almost attached to it but not quite, and you're living in that in-between sphere of apparent reality around you and then the real reality of the infiniteness of it all.
The principle we call self-love never seeks anything external for the sake of the thing, but only as a means of happiness or good: particular affections rest in the external things themselves.
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