A Quote by Hans Kung

Second, we also got a more authentic liturgy of the people of God, in the vernacular language. — © Hans Kung
Second, we also got a more authentic liturgy of the people of God, in the vernacular language.
The real 'action' in the liturgy in which we are all supposed to participate is the action of God himself. This is what is new and distinctive about the Christian liturgy: God himself acts and does what is essential.
I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.
I believe there is no liturgy in the world, either in ancient or modern language, which breathes more of a solid, scriptural, rational piety, than the Common Prayer of the Church of England. And though the main of it was compiled considerably more than two hundred years ago, yet is the language of it, not only pure, but strong and elegant in the highest degree.
The God of the Hebrews is a God that human language, we're not even supposed to speak the holy name. We were told in the Second Commandment we could make no images of this God, and I don't think that means just building idols, I think that means also trying to believe you've captured God in your words, in the Creeds, in the Scriptures.
By itself, the question of the liturgy's essence and the standards of the reform has brought us back to the question of music and its position in the liturgy. And as a matter of fact one cannot speak about worship at all without also speaking of the music of worship.
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
In your relationship with God there are also times when you want to say things and you're trying to find the words to express them. In a human relationship sometimes you struggle for words and you've got to do it, but in a relationship with God he can actually give you a language which enables you to communicate. In a relationship with God you feel things and you want to express them and you're not limited by human language. You can express what you really feel in your heart, through a language that he gives you, and that helps you to communicate with God.
The job of the poet is to use language effectively, his own language, the only language which is to him authentic.
I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
The older I got, the more willing I was to go into the Southern vernacular, because some of it's funny.
It behaves more like a tribe than a democratic institution...responding to custom rather than reason and using its own liturgy and language for the conduct of its domestic affairs.
The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
What I love about Sonny's playing is that he is so inventive within the mainstream Jazz vernacular. Because he knows so many ways to deal with musical material, he is never repetitive and hasn't had to invent a new language. Also, he never asked me to do anything but swing!
We just need more complex, important roles that tell our experiences as an immigrant; as someone with an accent, but also American; but also someone who's second or third-generation American, born and raised here who actually don't speak any language other than English.
The language of the Catholic Church - the liturgy, the prayer, the gospels - was in many ways my first poetry.
I distrust pious phrases, especially when they issue from my mouth. I try militantly never to be affected by the pious language of the faithful but it is always coming out when you least expect it. In contrast to the pious language of the faithful, the liturgy is beautifully flat.
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