A Quote by Hans Matheson
I think the problem I have with films is that, because there's so much hype around them, they become bigger than they should be, really. There are things that people do every day in their little workshops that they'll take to heaven with them. You've got to realise that it's not everything, making films.
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There have been a few little films I'd done like that that the studio just decided not to do much with, films like Anywhere but Here [1999] or Jeff, Who Lives at Home [2012]. Thank God people find them later and love them. I'm always really drawn to people who have seen these strange little films.
The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
I love doing short films because they're much more intimate and there's far less waiting around than on the bigger films.
I don't really have much to prove. I can easily go in a comfort zone, make two films a year, hype them because I've signed them as a star, make them cheap and they will be big hits.
I think movies in general should have more respect for the audience than they do. Too many films are afraid to confuse people, so all the information is given to them right away, and there's nothing left for the film to do. It ruins many stories, because everything becomes obvious and predictable. I want my films to engage people more and make them more actively involved in the story.
When I was younger, making films was so all-consuming. It was a life-or-death thing. Films still mean so much to me when I'm making them. So I had to get away from that attitude of living or dying with every film, because otherwise you'll go insane.
I would never go to a cinema hall to watch a biopic on a cricketer. I am not a big fan of people making biopics on sportsmen, especially cricketers. I think there are far bigger people who have done much more for the country, and films should be made on them.
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don't touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them - it strengthens them to get through the day.
I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.
I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.
Well, I'm really interested in the idea of making genre films, but movies have a much more personal undercurrent to them and that look beautiful, and that's sort of the films I'm kind of interested in making.
The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.
I think the one thing that I've experienced with American films is just that the size tends to be so much bigger, the budgets have been bigger, the size of the sets have been bigger, the number of people working on them is bigger, but that's not to say that I haven't been able to get close to people or develop good relationships.
When I got to high school, they had a morning TV show you could become a part of, and I started making short films for that, most little satirical, laugh-y films about the dean of students being chased by a dinosaur or something like that. And I really just enjoyed it.
I think maybe written films are better than real films. You can see them in your head and yet everything is exactly as you want it to be.
I think sometimes there are films where I understand what they are about, but there are also some mysterious areas in the film where I haven't got the whole image and I haven't got everything. And then it stays much longer with me, because I have to somehow put myself much more into the film to get it. And so this is what I'm trying to do with my films.
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