A Quote by Hans Rookmaaker

We are at home here. Alienation is unnecessary. Contact with reality at a deep level is part of the Christian's life. He enters into reality, rather than escaping from it. The flight from reality is a mark of Eastern and classical mysticism, not of Christianity.
I started out in psychedelic drugs, and people said it was a flight from reality. It still is a flight from reality, but I think reality is now a bit more scary than the drugs we used to fly from it, so long ago.
Every acceptance of suffering is an acceptance of that which exists. The denial of every form of suffering can result in a flight from reality in which contact with reality becomes ever thinner, ever more fragmentary. It is impossible to remove oneself totally from suffering, unless one removes oneself from life itself, no longer enters into relationships, makes oneself invulnerable.
Movies, more than anything I can think of, are a great escape from reality. My reality, in particular, needs escaping.
I don't want to base my life on a symbol, he said resolutely. I want reality, and the Christian faith has always been rooted in reality. What's not rooted in reality is the faith of liberal scholars. They're the ones who are following a pipe dream, but Christianity is not a pipe dream.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
If everybody would agree that their current reality is A reality, and that what we essentially share is our capacity for constructing a reality, then perhaps we could all agree on a meta-agreement for computing a reality that would mean survival and dignity for everyone on the planet, rather than each group being sold on a particular way of doing things.
Those who know in their hearts that they are not really necessary -- and are entirely replaceable-- must inevitably be tempted to misrepresent the nature of their work and build up a false notion of its importance. A further alienation from truth takes place, a further loss of contact with reality. And one thing we can be sure of is that self-deception, whether on the level of the wind and the rain or on that of spiritual reality, must always come up against the real sooner or later, and that its destruction is very painful.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
Life is endless reality. There is reality after reality, spinning on endlessly into the cosmos, billions and billions of manifest universes. Underlying all of this is the unmanifest, the absolute reality.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
We ourselves are not an illusory part of Reality; rather are we Reality itself illusorily conceived.
The mathematician is in much more direct contact with reality. ... [Whereas] the physicist's reality, whatever it may be, has few or none of the attributes which common sense ascribes instinctively to reality. A chair may be a collection of whirling electrons.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
Some people feel fulfillment from a bitter end - it gives them some sort of sense of reality. But, when you're dealing with reality, I feel like films should discover the part that is happy. That's also reality. Things working out is a reality. It's encouraging.
That's just me wanting that supernatural tool to tell a story and also not wanting to be restricted by reality, with how we're telling a tale, because we are a heightened reality on Hannibal. There is a larger-than-life quality to the storytelling when it gets into particulars. I like the idea of being able to dismiss reality, depending on if we can sell it as part of the story.
Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
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