A Quote by Hans-Ulrich Obrist
For me, it's always been very essential to work on projects that one can work on almost for their entire life.
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We only work? the most I ever work is three days a week. Very rare that I will work four. If I?'m involved in a scenario where they need me to be in it, I don'?t mind. They always work around my children?s schedule, their sports, and stuff like that. That?s been very important to me.
I have always firmly believed that every director should be judged solely by their work, and not by their work based on their gender. Hollywood is supposedly a community of forward thinking and progressive people yet this horrific situation for women directors persists. Gender discrimination stigmatizes our entire industry. Change is essential. Gender neutral hiring is essential.
The 'Motown' detour for me was almost like it wasn't work. It was more fun than work, and that's all it takes for me to not be very responsible to other things I should have been paying attention to.
I've always been very comfortable with me and the people I work with, and my family have always been very plugged into who I am with my personal life.
With Fountains Of Wayne, I almost always start with lyrics - maybe not the entire lyric, but I almost always need a couplet or something, and then I work from there. With Ivy, it's much more about the atmosphere and the vibe.
To me, work is not a burden but my main hobby. This is why I always take work with me when I go on holidays. Moreover, that's when new projects occur to me: while contemplating beautiful landscapes or seascapes.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
I have been very fortunate in my life. I think I have an angel that is always with me. Good projects always come to me.
Financially, I've done very well doing what I do. I've got plenty of money in the bank. I've got gigs with FOX doing analyst work, media work. The UFC has been very kind to me. Ultimately, however, I want to be world champion. I have to achieve that to validate my entire career.
I just try to keep going and work on projects that are exciting to me, with people I respect and enjoy and want to work with. That takes me in different directions sometimes, but it's all been a pretty good ride.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
When Bejoy approached me with 'Taish' I was very excited because I was going to get to work with him, he has always been one of my favorite directors and I have always loved his work.
For the essential thing about the work of art is that it is work, and very hard work too.
What one has most to work and struggle for in painting is to do the work with a great amount of labour and sweat in such a way that it may afterward appear, however much it was laboured upon, to have been done almost quickly and almost without any labour, and very easily, although it was not.
I've written books for awhile, but always on a pretty small scale and always pretty self-indulgent. I chose projects that I thought would be really fun to work on and found friends to work on them with me, and it was all about the process.
Being able to work on projects that I love and care about has been the greatest gift ever, and that's been a pretty recent thing in my life. But success for me at some point will probably be having a family.
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