A Quote by Hans-Ulrich Obrist

One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago. — © Hans-Ulrich Obrist
One of my favourite exhibitions is called 'Do It,' which I co-curated with the artists Christian Boltanski and Bertrand Lavier 21 years ago.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew.
During the last 35 years, the artists multiplied, the public grew enormously, the economy exploded, and so-called contemporary art became fashionable. All these parameters changed the art world form its previous aspects and fundamentals - the explosion of museums and institutions, explosion of Biennales and Triennials, explosion of money, explosion of interest, explosion of artists, explosion of countries interested in contemporary exhibitions, explosion of the public. Not to see that is to be more than blind.
Nobody wants the expenditure of a lease on a factory which lasts 21 years. You can't plan 21 years ahead.
Well, we have got to understand, for example, Russia is an orthodox Christian nation. So is Ukraine. That happened in 988 in Crimea, a place called Kievan Rus, which was the Russia around Kiev at that time. It's 1,000 years ago, but, to a Russian, it's yesterday.
I can barely remember what I was like 36 years ago when I was 21 years old.
For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game.
I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
There was a film which I did many, many, many years ago which took 14 years to make. Fourteen years. It was a film called 'Oonch Neech Beech' and in one shot, Shashi Kapoor goes out for a jog and when he reaches, he is 40 kilos heavier!
When I started painting 17 years ago, I never imagined that anyone would look at my work or buy my pieces. But now I do about 14 exhibitions each year.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
My favourite restaurant of all time is Mildreds on London's Lexington Street. It's a little vegetarian restaurant and is really fun and healthy, too. It was the first place I went to in London and really liked. That was 20 years ago, and it is still my favourite.
I did a show called 'Andaz' many years ago which was produced by Himesh Reshammiya.
Many years ago I was in another soap opera called The Newcomers which was on twice a week for three years. I really don't think I could do another stint like that again.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
I shot this wonderful picture called American Saint a couple of years ago, which is still looking for release.
This site uses cookies to ensure you get the best experience. More info...
Got it!