A Quote by Hans-Ulrich Obrist
It's quite an obscure notion for a kid, no? To want to be a curator. But even then, I knew that I would do this.
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In the same way, you were happy in spring, With the half colors of quarter-things, The slightly brighter sky, the melting clouds, The single bird, the obscure moon- The obscure moon lighting an obscure world Of thing that would never be quite expressed, Where you yourself were never quite yourself And did not want nor have to be.
The day I decided I didn't want to be a 19th-Century European curator, I knew I would never have the experience of people coming and going 'ooh' and 'aah,' the way they do around the Monets. It just doesn't happen.
And you know when I was growing up, I knew I wanted to have kids, but I knew I didn't want to do it alone. Then once I was 41, 42, I had to accept that I probably wouldn't have kids unless I decided to adopt later on, but even then it would be with a partner.
"I want you to spend the night," you said. And it was definitely your phrasing that ensured it. If you had said, "Let's have sex," or "Let's go to my place," or even "I really want you," I'm not sure we would have gone quite as far as we did. But I loved the notion that the night was mine to spend, and I immediately decided to spend it with you.
"Let's say we discover the gene that says the kid's gonna be gay. How many parents, if they knew before the kid was gonna be born, [that he] was gonna be gay, they would take the pregnancy to term? Well, you don't know but let's say half of them said, "Oh, no, I don't wanna do that to a kid." [Then the] gay community finds out about this. The gay community would do the fastest 180 and become pro-life faster than anybody you've ever seen. ... They'd be so against abortion if it was discovered that you could abort what you knew were gonna be gay babies."
At any age, we struggle with intimacy. When you're a kid, you think, 'I won't have that problem. I'll have sex whenever I want when I'm a grown-up!' And then, somehow, it doesn't quite turn out that way, and it's so surprising to people that connection remains so challenging even when you're married.
I guess I want to be a voice for the kid. I mean, it sounds quite contrived, but I want to make music that I would have wanted to hear when I was 14.
When I was a little kid, we only knew about our nine planets. Since then, we've downgraded Pluto but have discovered that other solar systems and stars are common. So life is probably quite prevalent.
Even if I knew that Separation would probably win, when they announced the film, I was thinking to myself "Oh! I want this! I want this!" And so, when we didn't win, I got depressed for about 20 minutes, and then I snapped out of it and enjoyed the rest of the evening.
I was a kid who was born and raised on Johnny Cash. My father played 'At Folsom Prison' constantly. Cash was the only thing I remember coming from our big, warm stereo console. Even then, I knew Cash was uncool. I knew he was an unhip Republican.
I think I matured quite early, but what that does mean is I have moments of complete immaturity. When I come home, I don't want to be an actor. I just want to be a kid. I barely even know what money is.
Dave Van Ronk is not an obscure figure. He's the biggest figure on an obscure scene, playing a kind of niche music that we knew and liked.
One curator said he didn't want my work in his gallery because it was so simple even children understood it. I thought, what a wonderful tribute!
I would like to die peacefully with Thomas Tallis on my iPod before the disease takes me over and I hope that will not be for quite some time to come, because if I knew that I could die at any time I wanted, then suddenly every day would be as precious as a million pounds, if I knew that I could die, I would live. My life, my death, my choice.
If I were involved with the NBA, I wouldn't want a 19-year-old or a 20-year-old kid to bring into all the travel and all the problems that exist in the NBA. I would want a much more mature kid. I would want a kid that maybe I've been watching on another team, and now he's 21, 22 years old instead of 18 or 19, and I might trade for that kid.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
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