A Quote by Hans-Ulrich Obrist

There is nothing deeper than to work for a year with the same artist. — © Hans-Ulrich Obrist
There is nothing deeper than to work for a year with the same artist.
I am inviting you to discover that deeper than any pattern, deeper than personality, deeper than success or failure, deeper than worth or worthlessness, there is a radiance that is undeniable, always present - the truth of who you are.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
All that Syrio Forel had taught her went racing through her head. Swift as a deer. Quiet as shadow. Fear cuts deeper than swords. Quick as a snake. Calm as still water. Fear cuts deeper than swords. Strong as a bear. Fierce as a wolverine. Fear cuts deeper than swords. Then man who fears losing has already lost. Fear cuts deeper than swords. Fear cuts deeper than swords. Fear cuts deeper than swords.
There's nothing better than to work with somebody who appreciates you as an artist.
It's clear that the true problems of our Nation are much deeper - deeper than gasoline lines of energy shortages, deeper even than inflation or recession. And I realize more than ever that as President I need your help. So, I decided to reach out and listen to the voices of America.
There is nothing fiercer than a failed artist. The energy remains, but, having no outlet, it implodes in a great black fart of rage which smokes up all the inner windows of the soul. Horrible as successful artists often are, there is nothing crueler or more vain than a failed artist.
An artist who lacks the power of self-criticism accomplishes but little. It is good if your work stands higher than your own opinion of it; bad if it is on the same level. But it is a great disaster if your work stands lower than your judgment of it.
I think 'Hamilton' has made me look at myself deeper as an artist and what I'm looking for as an artist.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
The wonder of an artist's performance grows with the range of his penetration, with the instinctive sympathy that makes him, in his mortal isolation, considerate of other men's fate and a great diviner of their secret, so that his work speaks to them kindly, with a deeper assurance than they could have spoken with to themselves.
You know, a football coach is nothing more than a teacher. You teach them the same subject, and you have a group of new guys every year.
You know, a football coach is nothing more than a teacher. You teach them the same subject, and you have a group of new guys every year.
We're in a post-conceptual era where it's really the artist's idea and vision that are prized rather than the ability to master the crafts that support the work. Today, our understanding of an artist is closer to a philosopher than to a craftsman.
Within those confining walls, teachers - a bunch of men all armed with the same information - gave the same lectures every year from the same notebooks and every year at the same point in the textbooks made the same jokes.
Even Michelangelo on his deathbed thought he'd done nothing to ennoble art. He wanted to destroy his work-the Pieta! And this from the greatest artist who ever lived. Of course I am not comparing my work to Michelangelo's. But this eternal dissatisfaction of the artist is what I was talking about.
Other than life experience, nothing left a deeper imprint on my formative self than the movies.
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