A Quote by Hans Urs von Balthasar

The Passion narratives are the first pieces of the Gospels that were composed as a unity. — © Hans Urs von Balthasar
The Passion narratives are the first pieces of the Gospels that were composed as a unity.
The New Testament was not produced as a single work issued by an authoritative Church for the instruction of its members. The four Gospels were composed in different times and places over perhaps a third of a century, and for a time circulated separately among a number of other narratives of our Lord's life (of which the newly discovered fragment of an unknown gospel may have been one).
The trouble with Christianity was that by about 150, there were hardly any Jews left in the Christian church, and so from that time until the last part of the twentieth century, the only people reading the gospels and interpreting the gospels and writing commentaries on the gospels were gentiles who were simply ignorant of the Jewish background, and I just thought they were prejudiced.
As soon as the Gospels were written, speech without experience began to dabble with the new facts proposed by the existence of the Church. People tried to think the new life without being touched by it first in some form of call, listening, passion or change of heart.
Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
For what we suppose to be our love or our jealousy is never a single, continuous and indivisible passion. It is composed of an infinity of successive loves, of different jealousies, each of which is ephemeral, although by their uninterrupted multiplicity they give us the impression of continuity, the illusion of unity.
Even if the whole world were to fall to pieces, the unity of the psyche would never be shattered.
Canada has no cultural unity, no linguistic unity, no religious unity, no economic unity, no geographic unity. All it has is unity.
Once in a Moscow chess club I saw how two first-category players knocked pieces off the board as they were exchanged, so that the pieces fell onto the floor. It was as if they were playing skittles and not chess!
There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
All archaeologists in Israel and Palestine make use of the New Testament Gospels. They do this because the Gospels exhibit verisimilitude. In short, the Gospels help archaeologists know where to dig and they help archaeologists understand what they unearth. The 2nd-century Gospels and Gospel-like writings rarely exhibit verisimilitude, so archaeologists rarely appeal to them.
There are many trials that seem hard to bear at first which prove true blessings later when we see of what false materials they were first composed.
Picasso painted with passion, Mozart composed with it. A child plays with it all day long. You may think you’ve lost your passion, or that you can’t identify it, or that you have so much of it, it threatens to overwhelm you. None of these is true.
I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.
The Soul is not composed of any materials. It is unity indivisible. Therefore it must be indestructible.
Our experience making 'Pieces,' all it did was confirm our passion for film making to ourselves. We were having the time of our lives, and we were in love with what we were doing.
I studied African American studies, and I read these slave narratives and the escape narratives of people that were able to escape slavery and always found those stories intriguing and powerful and inspiring.
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