A Quote by Hans-Uwe Bauer

I used to be afraid of two things - being alone and not being able to write.  Since Albert's death, I don't care about writing or about other people. — © Hans-Uwe Bauer
I used to be afraid of two things - being alone and not being able to write. Since Albert's death, I don't care about writing or about other people.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
I'd have to say the best part of being successful is being able to take care of my mom so she never has to worry about anything again and also being able to put my friends and people I care about in positions to win.
I really have no idea where the darkness comes from. Other writers have said that there are two subjects worth writing about, love and death; and since I'm a complete flop when it comes to love, I chose death. Too, maybe because of where I came from, I do find it easy to empathise with and write about certain groups of damaged or downtrodden people: the poor, the addicted.
The difference between me and other athletes is that I'm speaking on things that I go through that I know other people go through. I think a lot of times the mistake in music if you're broke, rap about being broke, if you're sensitive, rap about being sensitive, 'cause there are other sensitive people. If you're sensitive but you talk about being a tough person that doesn't care about anything, people will call your bluff.
Ever since Freud, being alone has been considered something of a psychological failure. The point, according to Freudian theory, is to be able to love and connect. But I don't believe that at all. I think that being alone and being coupled and being in a group are all natural states in which people can thrive.
if I could tell my very-younger self something, I would tell him to let loose more often. I think it all roots in sexuality, but because of that, I became so worried about everything — worried about what people thought. I was afraid to be creative and charismatic and eccentric. Just to do things to do things, like dancing. I was afraid of looking too flamboyant or something. I would tell myself to stop being so stressed about what other people are thinking. Stop being so afraid that something may not come off the right way.
I don't know if anyone has noticed but I only ever write about one thing: being alone. The fear of being alone, the desire to not be alone, the attempts we make to find our person, to keep our person, to convince our person to not leave us alone, the joy of being with our person and thus no longer alone, the devastation of being left alone. The need to hear the words: You are not alone.
It's the balance I'm trying to find - not being disconnected but giving myself some space to be in my world. I feel like I'm surrounded by friends of mine who are very different from one another but all care about similar things. We talk about this a lot, and I think that's probably the main thing - being surrounded by good people is the best way to stay in a solid head space. You want to be able to talk about these things, and be able to think things through and feel things through. That's helpful for me.
A lot of times, people are ashamed of feeling weak and being rejected - so it's liberating to be able to sing about those things. And it's amazing when other people don't feel alone because they hear it.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
You get told a lot in school to tell what you know, write what you know. But what excites me about filmmaking, about being a storyteller, is being able to learn about other people, putting myself in somebody else's shoes, whether that be someone from the Dominican Republic or someone from Cuba or inner-city Brooklyn.
I stopped worrying about how other people define me a little bit ago. I used to care a lot. Now I just don't care that much. Really, what I'm worried about is, am I being the best me I can be?
Try to write in a directly emotional way, instead of being too subtle or oblique. Don't be afraid of your material or your past. Be afraid of wasting any more time obsessing about how you look and how people see you. Be afraid of not getting your writing done.
People say that one of the most important things about being an actor is to have thick skin, but I don't think that's it. Because you can't just walk around being tough, you have to be able to be vulnerable to do this. So really, it's about not being defensive.
I think I write mostly about death and so it is interesting to hear how often people think I'm writing about pregnancy and birth. Though of course they are two sides of the same coin. Both when I was pregnant and now as a mother, I am consumed with thoughts of death. This is a strange role in parenting. The death guardian.
I do say all I've ever written about is being alone. And most people take that as, 'Oh, that's so sad.' And I always say, 'No. No, all I ever write about is being alone, and sometimes that's a beautiful, beautiful thing.'
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