A Quote by Hans Zimmer
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
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Come away with in the night
Come away with me
And I will sing you a song
Come away with me on a bus
Come away where they can't tempt us
With there lies
I want to walk with you
On a cloudy day
In fields where the yellow grass grows
Knee-high
So won't you try to come
Come away with me and we'll kiss
On a mountain top
Come away with me
And I'll never stop loving you
And I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me.
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
If you walk away, don't walk away with something still left in the tank. Then you're wondering like, 'Man, what could I have done?' When I'm done playing, I want to leave it all out on the field.
Anybody who gets away with something will come back to get away with a little bit more.
Whatever you do, whatever you come up with, whatever you decide on, you can go with it, and if the director or the execs, they like it, then you'll stick with it. That's a good thing, as opposed to having something that's already written.
If you write, good ideas must come welling up into you so that you have something to write. If good ideas do not come at once, or for a long time, do not be troubled at all. Wait for them. Put down little ideas no matter how insignificant they are. But do not feel, any more, guilty about idleness and solitude.
If the mean thing is being said with a person who abused malice, then something sounds mean. If something that is considered mean is being said by somebody who has good intentions and has maybe a comedic lack of awareness, then you can get away with a little bit more.
And my experience is the best titles, for me, emerge in the process of writing. They don't usually come at the very beginning and hopefully they don't come at the very end because then it's getting late in the day.
The words come. Usually, it's a long time before they come. And then when they start to come, it doesn't take so long for it to be finished. It takes a long time to begin. And then it sort of gets finished.
If there is a god, he is not only a wizard at leaving clues behind. More than anything, he's a master of concealment. And the world is not something that gives itself away. The heavens still keep their secrets. There is little gossip amongst the stars. But no one has forgotten the Big Bang yet. Since then, silence has reigned supreme, and every thing there is moving away. One can still come across a moon. Or a comet. Just don't expect friendly greetings. No visiting cards are printed in space.
That's the thing about a book: You're in the public life for a little bit, and then you sort of go away for a little while - several years, in my case - and then you come out again, hopefully.
Every so often, I'll get an idea from a dream, but most of the time, ideas come to me while I'm toiling away at the keyboard just like every other writer.
If I don't come home covered head to toe in fake blood then I haven't done my job as a horror director.
Life is like a film screen: pictures come, make an impression, go, and then make a place for new pictures with new impressions which obscure the previous ones. Some of those old pictures fade, but the impressions they leave will never pass away. Such an impression is the image of Hein Sietsma -- a joyful Christian who loved life so much but was still willing to give it to the great, good, and holy cause.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
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