A Quote by Hansika Motwani

In 'Manithan' I did not again play a bubbly thing, but my character was calm and composed. — © Hansika Motwani
In 'Manithan' I did not again play a bubbly thing, but my character was calm and composed.
This 'bubbly' word, I am personally going to take it up as an agenda to ban it. Colas are bubbly. Champagne is bubbly. I am not bubbly!
There is a general notion that playing a bubbly girl is undemanding and less challenging. But that's not the case. You need oodles of energy to bring out the spirit of a lively character. Besides, no two bubbly girls are the same. Every character I have played is different from the other. I love being chosen for such lively roles.
Raju Gadu' is a situational comedy where I play a fun and bubbly character. She's a proper Andhra girl who's modern but loves donning desi looks.
In 'Ek Duje'... I play Suman, a girl who runs her own tiffin service in Delhi. She is calm and composed at home but quite bold when it comes to facing the outside world.
I dont want to just play gay characters, ... I think it would get boring to play the same thing again and again and again.
I don't know if the character's come back and it was someone else playing it, or maybe they never did it again. But I loved it. It was a great part [The Joker] to play.
With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.
I'm composed, and I'm a calm player.
Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.
One of the problems we had was trying to live up to this bubbly image. All the music was supposed to be bubbly. That's what people expected from us. But that was very limiting.
I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it.
Not every character that you play is going to be somebody that you like or love, but every character that you play has a story that is worth telling. If you're not the person to tell it, that's one thing. But if you don't want to tell it because you are afraid of the unpopularity of the character, I view that as a missed opportunity.
I don't think I was bubbly in 'Oohalu Gusagusalade.' It was a real character.
I don't wanna keep playing the same song over and over again. It's just thinking about "what's going to be the coolest thing to play on this particular show?" The easiest thing to do is to play the single over and over again.
I'm calm and composed, and I don't expect a lot from anyone.
I always view auditions as the first and last time I'll ever do a character, so that's how I like to see the joy in it. Assuming I don't ever book this, I get to play this character this one time and give it my all because I'll never play it again.
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