A Quote by Hansika Motwani

I make it a point to study the character I do, and if the story demands that I wear a particular outfit, I'm game. — © Hansika Motwani
I make it a point to study the character I do, and if the story demands that I wear a particular outfit, I'm game.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
I wear a lot of things for fun. Sometimes Ill wear one item that is deliberately stupid because that will make the outfit cool.
It's funny: I don't get to play characters where I wear what I want to wear. With 'Mad Men,' if Janie Bryant doesn't laugh at me, then that outfit doesn't make it to air.
In New York especially, I always want to wear a nice overcoat to get through the winter: you can wear them so many times, and they make every outfit better.
To me makeup is a major accessory. It can change an outfit, it can make the outfit, it can be the outfit, and that's why I like to play with it.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
The first day back to school, you never want to wear your best outfit. You're setting the bar too high for yourself! Then the rest of the school year, you'll feel so much pressure! Wear something cute, but save your best outfit for a day when no one expects it.
I am called to listen to the sound of my own heart -- to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart.
We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
I think you can't go into any story-breaking process thinking, 'What if they come off as unlikeable?' You just gotta break the story because if you know who your character is, the story will tell you. The story will dictate and say, "This feels off-kilter for this particular person."
What is the point of doing a long length character if that does not make sense or create an impact on story?
Not only a great game, 'Uncharted 2' raised the bar for storytelling for the medium. The game treated action as a part of the overall story rather than a way to move from plot point to plot point.
I study myself. I study film, and I make sure that everything's on point.
I don't wear the sash to bed. But I make sure it is always clean. I have it in two colors, black and gray. And I make sure it goes with my outfit.
My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
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