A Quote by Hany Abu-Assad
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
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You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
[Malcolm Fraser] went straight from Melbourne Grammar to Oxford. And he would have been a very lonely person, and I think he probably met a lot of black students there who were also probably lonely. I think he formed friendships with them, which established his judgement about the question of colour. That’s my theory. I don’t know whether it’s right or not, but that’s what I always respected about Malcolm. He was absolutely, totally impeccable on the question of race and colour.
I sometimes ask myself how it came about that I was the one to develop the theory of relativity. The reason, I think, is that a normal adult never stops to think about problems of space and time. These are things which he has thought about as a child. Bu t my intellectual development was retarded,as a result of which I began to wonder about space and time only when I had already grown up.
Combining quantum entanglement with wormholes yields mind boggling results about black holes. But I don't trust them until we have a theory of everything which can combine quantum effects with general relativity. i.e. we need to have a full blown string theory resolve this sticky question.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
The general point that a political theory is, among other things, a partisan intervention, is well taken. So question about the actual political implication of a theory cannot be excluded as, in principle, irrelevant.
I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.
I have no illusions about my filmmaking work but I must add I have no illusions about anybody else's either. I am very strict with myself and I think, "no, that could have been improved", "why didn't I put a little bit more then? Why didn't we come out then?" It was what I thought was right at the time and you have to stand by that. And if it completely fails you have got to say, "But that is what I meant at the time.".
They didn't accept me theory - not a theory, but just a thought I had about this character. I noticed that this man only exists when the boy comes into the grocery.
You get told a lot in school to tell what you know, write what you know. But what excites me about filmmaking, about being a storyteller, is being able to learn about other people, putting myself in somebody else's shoes, whether that be someone from the Dominican Republic or someone from Cuba or inner-city Brooklyn.
My opinion about Miller's experiments is the following. ... Should the positive result be confirmed, then the special theory of relativity and with it the general theory of relativity, in its current form, would be invalid. Experimentum summus judex. Only the equivalence of inertia and gravitation would remain, however, they would have to lead to a significantly different theory.
Whenever I feel bad, I use that feeling to motivate me to work harder. I only allow myself one day to feel sorry for myself. When I'm not feeling my best I ask myself, 'What are you gonna do about it?' I use the negativity to fuel the transformation into a better me.
Dream dictionaries are so disappointing. They're so limited, and I think they're just total bullshit. I really do. I don't know much about the Freudian theory of dreams; it's probably more interesting than your average hippie dream dictionary, but it's got to be a lot deeper than that. It can't all be about sex all the time, so I don't know if Freud is right either.
You know, the great thing about acting or, indeed, filmmaking in general, is that we're all given a reason to do research. You kind of have to, really, if you want to know what you're doing, but it opens up this whole new understanding.
When you look at the calculation, it's amazing that every time you try to prove or disprove time travel, you've pushed Einstein's theory to the very limits where quantum effects must dominate. That's telling us that you really need a theory of everything to resolve this question. And the only candidate is string theory.
If what we regard as real depends on our theory, how can we make reality the basis of our philosophy? But we cannot distinguish what is real about the universe without a theory. It makes no sense to ask if it corresponds to reality, because we do not know what reality is independent of a theory.
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