A Quote by Hanya Yanagihara

Much of an editor's job is in fact pretty nanny-like in nature: in many ways, you're there to protect and defend, to reassure and clean up. What I ask from writers is respect. I want them to respect me enough to turn in a clean draft. I want that draft to be as good as they can make it. I want to feel the thought behind those words. And I want it to be turned in on time. It drives me wild when I get a story that's obviously slapped together, and the same can be said for a manuscript; you should respect your reader enough to give her something that reflects your best efforts.
It's just that you don't respect me enough to respect what I want. I have to want what you want or it doesn't count or its's no good. Well, I don't want what you want. And I don't see why I have to. I mean, as long as I respect what you want and let you live your life, why do you care?
You want to please society. You want to be happy. You want to be well liked. You want to be held in high esteem and be respected. These are real things. You want respect from your peers, respect from your loved ones; you want to be looked up to for your achievements and your accomplishments. All of this requires conformity in some form or another.
I have genuine respect for women and I want to win their respect. I don't want them to look at me and say, 'Oh, another man with the same attitudes as most men.'
I think any player would say that they want their coaches' respect, they want their teammates' respect, and they want their opponent to respect them.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
I really want that there should be love and respect between me and Ranbir, but at the same time, I want that there should be some kind of distance - that I can see you, but I can't feel you.
I'm not into screamo music, but I respect it. It's hard to do, to keep your voice and stuff like that. It's hard to do, so I respect the music. It's just not my favorite to listen to. That's all I want. I just want people to respect me as an artist.
I don't want my wife to sleep with anyone but me, and I want to give her the same respect.
There's some guys in the league that I really want to respect me. I respect the way they play, I respect the way they look at the game, and their respect is more important instead of having a job.
I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
Sometimes I want to clean up my desk and go out and say, respect me, I'm a respectable grown-up, and other times I just want to jump into a paper bag and shake and bake myself to death.
We all know this is a pretty intense business. There's a lot that happens, a lot that goes on here. Just like any other job, you want to be happy, and once you've gained that respect, you want to be treated with that type of respect.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
If you want me to be a cry baby, I cannot: I am the leader of a country. If you want to give me something and then withdraw it, fine; I must respect your decision.
If your attitude is good and you want to have good matches and you want to be employed for the right reasons, then I think people start to see that and respect that and respect you as a person, and you can fit in anywhere.
The best bit of novel writing is being allowed to write exactly what you want at the speed that you want, and to include as many different people and places and times as you want, working with pretty much only one person, the editor, whose job it is to get it in good shape for publication.
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