A Quote by Hanya Yanagihara

There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways. — © Hanya Yanagihara
There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
In America, we have an infrastructure that's so bad, our roads, our highways, our schools, our tunnels, our bridges. Look at our bridges. Half of them have reports that they are in serious danger.
America is a unique place. The value part of American foreign policy is something I think is very laudable, but it is uniquely American. And it is part of what makes America special.
America's highways, roads, bridges, are an indispensable part of our lives. They link one end of our nation to the other. We use them each and every day, for every conceivable purpose.
The notion that a human being should be constantly happy is a uniquely modern, uniquely American, uniquely destructive idea.
Our highways and our roads are underutilized because of the allowances we have to make for human drivers.
We actually know that our crumbling pipelines, roads, and bridges are ticking time bombs. That is why President Obama and Congressional Democrats have pushed to fund jobs that repair our roads, runways, and railways - we can't have first rate American communities with third-world American infrastructure.
For me it's all about personal vision; is there something about a subject that uniquely speaks to me.
It was in the 1960s that the left convinced itself that there is something fascistic about patriotism and something perversely "patriotic" about running down America. Anti-Americanism - a stand-in for hatred of Western civilization - became the stuff of sophisticates and intellectuals as never before. Flag burners became the truest "patriots" because dissent - not just from partisan politics, but the American project itself - became the highest virtue.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
We are a debtor nation, our airports are third world, our highways are falling apart. Our roads, our bridges, everything, we're like third world.
Every president, Democrat or Republican, every Congress, has gotten behind the idea that we have to invest in our highways, our bridges, our roads, our airports. The idea that now this is somehow a partisan issue, it boggles the mind.
If we expect to continue our leadership in the global economy, we must invest in a long-term transportation plan -f or both highways and transit programs. Too many of our roads, bridges, and railways have fallen into disrepair.
We plan our lives in long, unbroken stretches that intersect our dreams the way highways connect the city dots on a road map. But in the end we learn that life is lived in the side roads, alleys, and detours.
What we observe is not nature itself but nature exposed to our method of questioning. Our scientific work in physics consists in asking questions about nature in the language that we possess and trying to get an answer from experiment by the means that are at our disposal.
Take the back roads instead of the highways.
Kerouac was a breeze, some kind of incredible super-American, mythos personality blasting through the highways of 1947 America.
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