A Quote by Hanya Yanagihara

The first thing many tourists see in Hawaii is concrete - a long dreary stretch of it through landscapes dominated by sad, cheap apartment buildings and almost entirely denuded of plant life.
We're stuck in the concrete age. Concrete has really become this ever-present material that's almost impossible to get away from. It's cheap, abundant, and easy to work with, and to an extent, that's good.
All I wanted was to say honestly to people: 'Have a look at yourselves and see how bad and dreary your lives are!' The important thing is that people should realize that, for when they do, they will most certainly create another and better life for themselves. I will not live to see it, but I know that it will be quite different, quite unlike our present life. And so long as this different life does not exist, I shall go on saying to people again and again: 'Please, understand that your life is bad and dreary!'
It's sad to see these old buildings go because they have so many memories, and it's a real personal kind of thing when you play these places. It's part of our history just gone.
I have the most incredible fans, and they have given me so many wonderful gifts. My apartment is decorated almost entirely with fan art.
Mumbai has so much to offer, but the pathetic spectacle of horse abuse is the first thing that many tourists see, and it taints their impression of our great city.
Not very many companies go through Hawaii on their way to anywhere. San Francisco Ballet was the only company I remember, and Bolshoi, coming through Hawaii when I was younger.
Hendrix was the first person I had come across who seemed completely free, and when you're nine or 10, your life is entirely dominated by adults. So he represented this thing that I wanted to be. Hendrix was the first person who made me think it might be good to be a singer and a guitarist - before that I wanted to be a footballer.
To be entirely free, and at the same time entirely dominated by law, is the eternal paradox of human life.
Prayer for many is like a foreign land. When we go there, we go as tourists. Like most tourists, we feel uncomfortable and out of place. Like most tourists, we therefore move on before too long and go somewhere else.
Only through art can we get outside of ourselves and know another's view of the universe which is not the same as ours and see landscapes which otherwise would remain unknown to us like the landscapes of the moon. Thanks to art, instead of seeing a single world, our own, we see it multiply until we have before us as many worlds as there are original artists.
There are spirits in Hawaii. They're very protective and very good and they watch over these islands. I must confess, they're not entirely happy with what they see, with the way the civilization is moving. But they're patient. They've been here for a long time, and they'll be here long after the human beings have ceased to inhabit the islands.
A thing which I regret, and which I will try to remedy some time, is that I have never in my life planted a walnut. Nobody does plant them nowadays-when you see a walnut it is almost invariably an old tree. If you plant a walnut you are planting it for your grandchildren, and who cares a damn for his grandchildren?
You see all these old buildings [in Rio] going down or catching fire overnight, and it is so sad. I am very connected with these buildings because they are our history. It is the only one that we have.
We can change so many times in our lives. We're born into a family, and it's the only life we can imagine, but it changes. Buildings collapse. Fires burn. And the next second we're someplace else entirely, going through different motions and trying to keep up with this new person we've become.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
There is no reason to design buildings that are more basic and rectilinear, because with concrete you can cover almost any space.
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