A Quote by Harbhajan Singh Yogi

If you want to learn a thing, read that. If you want to know a thing, write that; if you want to master a thing, teach that. — © Harbhajan Singh Yogi
If you want to learn a thing, read that. If you want to know a thing, write that; if you want to master a thing, teach that.
I don't want to write the thing that I am a consumer of when I'm unconscious. I want to write the thing that makes me contend with the thing that I've been consuming unconsciously.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
A beginner cook is going to have to be patient to really learn well. When you start to beat your master, that's when you're really starting to master the thing. But it's going to take a while. After that, you have to define what you want to be, who you want to be, where you want to be.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
It's one thing to have forced time off as an actor, and another thing when you actually say, 'I don't want to read anything, and I don't want to talk to anybody.'
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
You cannot just be the feature act, not that that's a bad thing, because that's a good thing, especially nowadays. But as an artist, you want to express yourself and you want to know what you want to express.
I think when companies are struggling, they don't want to talk to the press. The guys who write business books aren't interested in it because nobody wants to learn what it's like to be a mess, you want to learn how to be successful. That's slanted the whole thing quite a bit.
I teach voice, and I teach pretty much just, like, whatever people need. So if they want me to work on a monologue with them, or if they want me to do some work with them, I do that. And then I do master classes, like at high schools - which is my most favorite thing to do.
The moment where you know the thing you want is ridiculous and pompous and a terrible thing to want anyway. The direction in which you're headed is not the direction you want to go, yet you're going to head that way a while longer cause that's just the kind of person you are.
One thing I want to teach my son is sensitivity to other people. I want to teach him not to be this macho freak.
Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don't know what they want to read until they read it. Besides, they're always looking for something new.
I know there's a part of the feminist world that is like, "Hey, screw 'em, we'll do our own thing over here," and I can see there's a value in that. But a kind of nudgy part of me thinks: No. I want access, and I want my daughters to have access to the exact same thing, because we all know there's no such thing as separate but equal.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
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