A Quote by Harbhajan Singh Yogi

One sacrifice has to be made: never use harsh or rude language. Foul language you can use; foul language doesn't hurt. Foul language is forgivable (though it is bad). But rude language cannot be forgiven.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
People do not use foul language in the House of Commons chamber. They just don't do it, and I don't, either.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
The earliest language was body language and, since this language is the language of questions, if we limit the questions, and if we only pay attention to or place values on spoken or written language, then we are ruling out a large area of human language.
Now the point of comedy is not just looking funny, it's use of language. We have at our disposal a great language... and the imaginative, creative use of that language can be at the service of humour.
People say I use foul language. I learnt swear words only from my father and YGP.
I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
Being a slow reader would normally be a deficiency; I found a way to make it an asset. I began to sound words and see all those qualities - in a way it made words more precious to me. Since so much of what happens in the world between human beings has to do with the inconsideration of language, with the imprecision of language, with language leaving our mouths unmediated, one thing which was sensuous and visceral led to, in the use of language, a moral gesture. It was about trying to use language to both exemplify and articulate what good is.
Never use curse words, foul language, or racial slurs, or say anything about a person's appearance. Just work with being smart-mouthed.
Usually male directors have to use foul language to get the job done. But I never came down to that level as being a women I wanted to keep my respectability intact.
There is a narrow class of uses of language where you intend to communicate. Communication refers to an effort to get people to understand what one means. And that, certainly, is one use of language and a social use of it. But I don't think it is the only social use of language. Nor are social uses the only uses of language.
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers.
The job of the poet is to use language effectively, his own language, the only language which is to him authentic.
I want to find a language that transforms language itself into steel for the spirit--a language to use against these sparkling insects, these jets.
The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.
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