A Quote by Hardwell

Too many DJs today want to be the headline act without ever knowing what it takes to be the local DJ who's busting his or her gut to perfect their craft. — © Hardwell
Too many DJs today want to be the headline act without ever knowing what it takes to be the local DJ who's busting his or her gut to perfect their craft.
I wouldn't call myself 'into the DJ scene.' I have friends who are DJs, like James Murphy. I was really into the DJ scene at his wedding. But generally, I'm not at the clubs. I've never been to a rave.
Really knowing is good. Not knowing, or refusing to know, is bad, or amoral, at least. You can't act if you don't know. Acting without knowing takes you right off the cliff.
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
Conscience, as a mentor, the guide and compass of every act, leads ever to happiness. When the individual can stay alone with his or her conscience and get its approval, without knowing force or specious knowledge, then he or she begins to know what real happiness is.
I never aimed for the radio, you know? I'm a DJ - I want my records to be played by all the other DJs in the clubs.
So I constantly play women who are damaged and out of touch, who are seeking without knowing, or knowing without the skills to transform their lives. But then, that's really the fate of many women today.
I started DJ-ing in the '90s. DJ-ing is in every record I do. When I make records I make them for DJs.
He was an original, an innovator, and his influence will forever live on in our culture. Whether they know it or not, all DJs have been influenced by him. Thank you, DJ AM.
I had a perfect life in my reach once, and it was a crashing bore. Perfect is too clean, too easy. I don't want perfect any more than I want to be perfect. I want imperfect.
If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.
But in the end she merely shrugged, knowing at the very least it would be interesting. Knowing, in her gut, it might just be the beginning.
She spent hours drawing on her own, trying to perfect her craft. And when she got into music, she had that same diligence in developing her own style as well as perfecting the craft of singing. I don't think that is part of the normal assumption of who sh
I think the biggest advice I can offer is don't just pick one story and stop, write as much as you can, as many stories as you can. The best thing about being a writer is, a writer's craft is nearly perfect because a writer can go anywhere and do his craft.
I DJ and I'm a harsh critic of DJs.
The spider dances her web without knowing there are flies that will get caught in it. The fly, dancing nonchalantly on a sunbeam gets caught without knowing what lies in store. But through both of them "It" dances. So, too, the archer hits the target without having aimed-more I cannot say.
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