A Quote by Hardwell

What the strength of events like Ultra have shown us is this thing we call, 'electronic music,' is not a passing trend, but a big industry of passionate artists, event organisers, fans etc.
Country music fans are extremely passionate and loyal. It seems that country artists have longer-lasting careers because the fans stick with the artists through thick and thin.
[Performing artists] are making greater percentages. People are going to live events more and it's a big success story for everyone - except the music industry itself.
We're huge fans of Kylie Minogue, Grimes, and artists who are doing more electronic music.
I warn the industry, they shouldn't underestimate the fact that Rob and Fab still have a lot of fans. And they should try to forgive us. Because we weren't bad for the music industry. We changed the music industry.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
There have been a lot of people involved in the growth of EDM's support in the U.S., from DJ/producers like David Guetta, Deadmau5 and Skrillex, to major festival organisers and pop artists of EDM integrating elements of dance music into their music.
I started with soul music and icons like Aretha Franklin and Etta James and then moved to R&B and artists such as Erykah Badu and Lauryn Hill. Electronic music came later on, when I was in high school and I was really influenced by artists like Skrillex and Major Lazer.
I am passionate about finding undiscovered and talented artists. I want to help those artists get to the next level and provide existing artists with a new way to reach fans. I wanted to partner with the Cutting Edge Group because they share my vision and have a proven track record in innovation in the music business.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
People always say, 'There are plenty of black country artists out there! There is Charley Pride! Darius Rucker!' That's all they can name. They don't understand what we go through, and a lot of people who are fans of traditional country music, as they call it, look at us and aren't going to say, 'Y'all like country music.'
The Big Music Project gives young people access to producers, managers, set designers, artists and a load of other industry insiders who are at top of their game. It can be difficult to know where to start and this project gives young people who are passionate about music, knowledge and hands on experience.
The music industry needs a TV outlet for hip-hop fans and artists.
I love some electronic music. I'm not a big fan of dubstep, but there is so much good electronic music out there.
My big problem is that I don't promote my electronic music very much because it makes my 'normal' fans angry!
At an event in Germany, I realised the organisers had 'The Great Escape' playing as background music to my test, and I just thought, 'It's really cool. I want that.' It is fantastic to ride to.
Anytime I get to be around the fans it's always a good time, especially during Music Fest. CMA puts together an event that allows artists to make that personal connection with the fans and it's wonderful. I look at it as our chance to give back to them and let them know we appreciate their support.
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