A Quote by Hardwell
To produce a proper album, you have to be in the studio and collaborate with all your singers. It takes a lot of time.
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I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
Recording an album and doing it live are like two different animals. There are some people that are great singers live, horrible in the studio.
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
It costs a lot of money to make an album in a studio in New York with a producer and musicians. I have to pay a publicist every month. I have to pay for mastering, production, the manufacturing of the discs. Then, to promote an album properly, you have to spend a lot of money.
I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.
I feel like a lot of pop singers hurt themselves if they don't have the proper training.
Learning to be your natural self in front of five cameras and a silent studio takes time. Trying to be funny under duress is probably a lot like trying to play golf relaxed under pressure.
I've been blessed because there are a lot of great singers out there that didn't make it past their first album.
I like to shoot a lot of choices. I like a lot of stuff - and so I push to go faster, to shrink the time between the takes so that the takes are what you're spending all your time on.
The only thing you create music with is your own creativity and your own ears. And it takes a lot of time to develop your own ears. It's really important, before you go to the studio, to realize yourself: What do I want to hear? What do I want to create?
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
It takes a lot of people years to turn a negative into a positive. It takes me, like, an album.
Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
I took a lot time to do the first album, and I was really happy about that album. I co-wrote the songs and it was a learning process. When I was working on that album I realized, for the first time, that I could write my own songs.
It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
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