A Quote by Hardwell

In the end when we're on stage, we push buttons, but when we're in the studio we're actually creating music that we play in gigs. — © Hardwell
In the end when we're on stage, we push buttons, but when we're in the studio we're actually creating music that we play in gigs.
When I'm in my studio, it usually feels like a hassle to actually press all the buttons and make music come out the other end.
I don't push buttons to push buttons. Throwing the rebel card out there is really cheap.
I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand!" .
It was actually a relief for me to play an actor who was scared, who didn't know where everything was, who didn't know what buttons to push, and for me to be able to play all that.
We have a family dynamic - more like brothers and sisters than friends. So there can be a bit of competition, but there's also love and respect. But there's a thing to not push each other's buttons. You know what the buttons are, so don't push them.
My instrument is the studio. When I play my instrument, I'm creating music using the studio. All the other instruments serve it.
What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
Either I'm in the studio creating something, or I'm on stage doing some stand-up somewhere... or I'm creating a parody video flexing my pecs.
I always loved the piano because it's just a bunch of buttons. I like to push buttons.
A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.
Donald Trump is sitting on the control deck of the starship Enterprise, and he can push a lot of pretty buttons, but those buttons aren't connected to anything. And so nothing is happening.
I remember early on, for instance, having to play wedding gigs, that I hated playing the music. Now I don't have to play music that I don't like. I only get to do what I enjoy, so that's pretty lucky.
I tried to play 'Barracuda' on 'Guitar Hero,' and because you have to anticipate and push buttons, it's really counterintuitive.
The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.
The studio is not the place to write. You need to be 75% ready when you go into the studio, and then the music can develop to the next stage.
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