A Quote by Hari Kondabolu
I am able to apply certain things to my craft that maybe other comedians don't, because I'm a devotee.
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I have definitely noticed that I care less about certain things. Other actors are like: "You can't do that", or "You can't do this. This will position you in the wrong way." That's not my thing. And obviously so, because you can see I don't craft or cultivate my career.
Strangely, or maybe not so strangely, a lot of the roles that I am offered are of Muslim characters, maybe because I looked a certain way in 'Neerja.' But I am actually Parsi.
You're learning the whole time. Halfway through a movie, you've got a lot of ideas, a lot of things that maybe you've learned and that you then wish you could apply, but you can't. You just have to finish the movie in that world that you're in. Maybe what you've learned you can apply somewhere else.
I love rehearsing because in rehearsals there are no mistakes, nothing is wrong, some things apply or lead you to focus on the character and the things that don't apply are equally valuable because they lead you to towards what does.
Our first duty is to satisfy the spiritual master, who can arrange for the Lord's mercy. A common man must first begin to serve the spiritual master or the devotee. Then, through the mercy of the devotee, the Lord will be satisfied. Unless one receives the dust of a devotee's lotus feet on one's head, there is no possibility of advancement. Unless one approaches a pure devotee, he cannot understand the Supreme Personality of Godhead.
Further, there are things of which the mind understands one part, but remains ignorant of the other; and when man is able to comprehend certain things, it does not follow that he must be able to comprehend everything.
I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.
I don't think all comedy should be mindless. Have something that's thoughtful. Maybe some things are tongue-in-cheek; maybe some things are very direct. I like that people have to think about things. That excites me. Because if you say certain things, it starts a dialogue. Even if you disagree, it's still a dialogue.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
I made as many mistakes as anybody else. I sound as if I'm an egomaniac, and I suppose in some ways I'm filled with hubris because I know how good I am at certain things. But other things, I can't do at all. I can't draw.
I wrote the book because I wanted to be able to share some things that I had learned and as pompous as that may sound, as you get to a certain point in life, you figure so what am I doing?
If you're able to grow up in Nigeria and go through certain things, you're able to tackle anything around the world because you're able to live wherever, if you can survive in a city like Lagos or Warri or Niger Delta, as far as I'm concerned.
This world is bullshit. And just because I appear in music video wherein I am in my underwear, and make young women feel not good enough so that they become anorxeic; and okay, maybe because of that I became popular more quickly than other singers who are, I don't know, maybe more talented or better songwriters. That doesn't matter because, and... um... my boyfriend is a magician, and he can pull a quarter out of your ear and say things like 'We have not met before have we?' Go with yourself.
When something really affects you, it's hard to find the humor in it sometimes. There's are a lot of reasons why there are so many white male comedians, but I think part of it is that they are able to joke about a lot of things because a lot of things don't affect them personally.
The part of my education that has had the deepest influence wasn't any particular essay or even a specific class, it was how I was able to apply everything I learned in the library to certain situations in my life. . . The library takes me away from my everyday life and allows me to see other places and learn to understand other people unlike myself.
I try to be aware of what I'm concerned about, aware of how I feel about myself in the world, aware of how I feel about the issues of the day, but I guess I don't want to write essays in my head about my craft and maybe it's because I teach and talk about craft of other writers as a reader. I feel the moment I start doing that is when it's going to kill me.
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