A Quote by Hari Nef
I used to think I was a gay man with this idea of a muse in my head, like a woman that I thought was inspirational or aspirational. But the woman was actually me.
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The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
My mum is deeply, deeply a man's woman, a man's muse. Maybe because I'm a kid from the '80s, I'm a bit more dominant. I wanted to be the muse and the director also. I wanted to be the man and the woman.
I think that the best day will be when we no longer talk about being gay or straight - it's not a 'gay wedding,' it's just a 'wedding'... It's not a 'gay marriage,' it's just 'a marriage.' It's not a 'black man' or 'white woman,' it's just 'a man' and 'a woman,' or 'a human' and 'a human.' I'd just like to get to that.
Every woman I have known has actually deepened my spiritual awareness. Even if I have been a selfish man and treated them badly... There were two women, I won't name them, who had a powerful religious effect on me. The ancient idea of a muse is there.
From woman, man is born; within woman, man is conceived; to woman he is engaged and married. Woman becomes his friend; through woman, the future generations come. When his woman dies, he seeks another woman; to woman he is bound. So why call her bad? From her, kings are born. From woman, woman is born; without woman, there would be no one at all.
Gay guys like a certain kind of woman. They like a flamboyant woman that's broken. They like a balls-to-the-wall woman, motherly but not; sexual but not. Gay guys are like this: they either love you or they don't even know you're on the planet. Once you have them, you have them.
And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?
I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it could be done, so I don't mind that at all.
I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
For a long time, I used to think that I had a man's brain that I thought more like a man than a woman. But now I've come to realise that whatever it is I do think like, it's not like men; because men don't really think like men, they think like boys.
Someone will say, 'Shura's album is about being a gay woman in London.' Umm, I feel like my album's just about me. I am a gay woman, and I live in London... It's not about being a gay woman in London.
I know my own truth. I'm in a great relationship with a woman. Maybe before it used to bother me. Then I was like, ‘This is so stupid that this bothers me. Some of my best friends in the world are gay, and if this is bothering me, then that means I have an issue with that.’ Once I figured that out for myself, I thought, ‘I don't care what anyone thinks about me.’ That's why I think I've become an ally for the gay and lesbian community. I just got [an Ally for Equality Award] the other day in Atlanta. I've very proud of my role in the community. So say what you will.
The heart is like a woman, and the head is like a man, and although man is the head of woman, woman is the heart of man, and she turns man's head because she turns his heart.
I never like to think that I design for a particular person. I design for the woman I wanted to be, the woman I used to be, and - to some degree - the woman I'm still a little piece of.
If we end up creating a gameplay structure where it makes sense for, whether it's a female to go rescue a male or a gay man to rescue a lesbian woman or a lesbian woman to rescue a gay man, we might take that approach.
When I look at him [Edward Heath] and he looks at me, I don't feel that it is a man looking at a woman. More like a woman being looked at by another woman.
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